I've been thinking a good deal about suicide lately. No, not my own--a coworker's wife killed herself a couple of weeks ago, there are small children involved, it's a terrible situation, and it's been buzzing around in my head. Then, today, I was home sick, and I was filling time, as I am both wont and apt to do, by watching the Top 20 on CMT. The video for this song came up:

"How Do you Get That Lonely", Blaine Larsen

I have a big, fat, depths-of-my-soul post to make, but I'm not quite there with it yet, so in the meantime, I wanted to relate a story I heard last night:

S. and I went to the Sierra Club's Songs to Save the Seashore benefit concert last night. The show was great--Eliza Gilkyson, Carolyn Wonderland, and Ruthie Foster all played and are worth seeing. Dale Watson was there, and I am now in love (real country music! YES!). The story I want to tell, though, came from the set played by Sarah Lee Guthrie and Johnny Irion. Sarah Lee is, as the name indicates, Arlo's daughter, and this story is about him.

***************************

About 15 years ago, Arlo (and I think some other folks) bought the church made famous in Alice's Restuarant Massacre. Not long after they bought it, Arlo was hanging out there, sweeping up the floor. A local preacher came by and knocked on the door. Since the door was glass, Arlo couldn't pretend he wasn't there, so he answered the door.

"Arlo, what are you doing here?" asked the preacher.

"Well, I'm sweeping up the floor," Arlo replied.

"No," said the preacher, "I meant what kind of church is this going to be now?"

Arlo thought a bit about that. He hadn't really considered it. He had a lot of plans for the church, was going to do a lot of great things there, but he hadn't thought much about what kind of church it was going to be.

"Well," he replied, "I guess it's a bring your own God church."

************************

Indeed.

Frog tagged me!

List your six favorite songs and tag six others to do the same.

1. Me and Bobby McGee, Kris Kristofferson
2. Pancho and Lefty, Willie Nelson and Waylon Jennings
3. School Night, Ani DiFranco
4. As Cool As I Am, Dar Williams
5. Bridge Over Troubled Water, Simon & Garfunkel
6. Ruby Tuesday, The Rolling Stones

Who's it now?
Scand, from Sweat Equity
Melinda, from Drinking Coffee, Playing with Scissors
Nyarly, from Nyarlathotep's Miscellany
The Princess, from The Flooded Lizard Kingdom
Portia, from The Winding Sheet
Dana, from Dana, Shameless Agitator

A list of music I have seen live in concert, in the order they pop into my head. To be edited many times, I'm sure.

Ani DiFranco (somewhere around 12 times)
Dar Williams
Dan Bern
Adam Brodsky
Kris Kristofferson
Willie Nelson
Bitch & Animal
Hamell on Trial
Maceo Parker
Paul Revere and the Raiders
Leanne Rymes
Allison Krauss and Union Station
Emmylou Harris
Eliza Gilkyson
Toshi Reagan
Sweet Honey in the Rock
Holly Near
Utah Phillips
Dave Carter and Tracey Grammer
The Cherry Poppin' Daddies
Faith No More
Carolyn Wonderland
Ruthie Foster
Sarah Lee Guthrie and Johnny Irian
Dale Watson
Michael Franti
Laura Love
Hole
Marilyn Manson
Blues Traveler
The Dave Matthew's Band
Lenny Kravitz
Ladysmith Black Mambazo
Peter Wilde
Katie Henry
Greg Brown
Billy Bragg

Curious about the circumstances under which I saw any of these folks? Please post in the comments--I love to tell concert stories!

Yeah, I know, it's Friday. But this is last Monday's meme, from here.

1. What is your favorite song of all time? Does is bring back any special memories?
Probably Simon & Garfunkel's Bridge Over Troubled Water. Unfortunately, the memory it brings back is from the memorial service for a girl I knew slightly (I was friends with her brother) in high school who died in a terrible mountain climbing accident. So it's not exactly a happy memory. But I guess it's not exactly a happy song.

2. What song do you like the best of those released in the past year?
I am hard pressed to name a song that was released in the past year. I'm not really much for the popular music and I can't think of a new CD I've bought that was released in the past year...I like that Sugarland song, "Baby Girl." I'm sure I'm forgetting something.

3. Have you been to many concerts? What was your first? Which were your favorites?

I've been to quite a few shows. My first, I believe, was Paul Revere & The Raiders at the Douglas County Fair. Heehee. All I remember is him making a joke about CDs (new then) being "little tiny records that won't play on your turntable." I must have been about 6. Willie Nelson, also at the fair, but ten or so years later, was a great show. Ani is nearly always good. Dar Williams is nearly always good. I had a great time seeing Billy Bragg. I like to watch Greg Brown. Locally, it doesn't get better than Eliza Gilkyson. Getting to see Kris Kristofferson was a complete dream come true and something I'll never forget...I could go on, but I'll spare you.

4. If you were a musician, what genre of music would you preform? What would your band be called?
I'd be a folk singer/songwriter. No band name required. Too bad I can't sing. Or play the guitar. Or write songs.

5. Recommend 5 songs to your friends:
This is simply too broad a question. Which friends? What kind of music do they like?

I had a sex dream last night. First one I've had in ages.

It was about Dale Watson.

I went to see Lucy Kaplansky play last night. It was really good--I've never been a huge fan of her's, but thought her last album, The Red Thread, was pretty exceptional. A lot of my love for the album was situational, however, as my very good friends S. and T. adopted a little girl from China about the same time Kaplansky and her husband did, so a lot of the subject matter on The Red Thread moved me on a personal level when I heard it.

Last night, though, it became clear that it wasn't just situational--they're great songs. Kaplansky also made a joke about Greg Brown being a womanizer, which was fabulous, if you are a folk geek like me.

Given everything that has happened lately, and the anniversary of 9/11, I was surprised she did it, but someone requested this, and she did it. And I cried. Not so much for 9/11, maybe, but for New Orleans. For Iraq. For all of us. So I thought I'd share it.

"Land Of The Living"
(Lyrics by Lucy Kaplansky and Richard Litvin,
Music by Lucy Kaplansky)

Late afternoon back in New York town
Waking up as the wheels touch down
Pick up my guitar and walk away
Wish I was going home to stay

CHORUS

Swiped from Frog.

Question: What do you think of me, ITunes?
Answer: "Have I Told You Lately," The Chieftains with Van Morrison

Question: Will I have a happy life?
Answer: "Walking on Sunshine," Dolly Parton

Question: What do my friends really think of me?
Answer: "Is There Anybody Here?" Phil Ochs

Question: Do people secretly lust after me?
Answer: "Diamonds are a Girl's Best Friend," Emmylou Harris

Question: What should I do with my life?
Answer: "Heart Shaped Bruise," Elvis Costello & the Imposters

Question: Why must life be so full of pain?
Answer: "Rain King," The Counting Crows

Question: How can I maximize my pleasure during sex?
Answer: "This Box Contains..." Ani DiFranco

Question: Will I ever have children?
Answer: "A Hymn for the Exiled," Anais Mitchell

Question: Will I die happy?
Answer: "Moment of Forgiveness," Indigo Girls

Question: Can you give me some advice?
Answer: "Speed of the Sound of Loneliness," Nanci Griffith

Question: What do you think happiness is?
Answer: "Roses and Hats," Laura Kemp

Question: Am I complete freak?
Answer: "Controversy," Prince

Well, we're doin' mighty fine, I do suppose,
In our streak of lightnin' cars and fancy clothes,
But just so we're reminded of the ones who are held back,
Up front there ought 'a be a Man In Black.

Today is the opening day of Walk the Line, a movie (and, apparently, the rest of the country) am very much looking forward to seeing. I doubt I'll make it to the theater tonight (I had a very hard night last night and I'm exhausted), but I'm hoping to go tomorrow or Sunday. On this auspicious occasion, I thought I'd share with you some of my feelings about Johnny Cash.

I love Johnny Cash. I admire Johnny Cash. I mourned when Johnny Cash died. Johnny Cash has long been among the only music my boyfriend and I can agree on (and that's been true for several boyfriends in a row now). Johnny Cash is the epitome of cool. Johnny Cash's "Hurt" video made me less afraid to age. But it actually goes well beyond that, well beyond Cash's second incarnation as a post-country alt-hipster. It goes back home.

It goes back to my mom, and my stepdad, and the music I grew up with. The core of this music, as I remember it, consisted of what I now know is the very best of classic country music: my mom's personal favorite, and mine as well, Kris Kristofferson, Waylon Jennings, Merle Haggard, Willie Nelson, and, of course, Johnny Cash (with a healthy bit of Steve Goodman, John Prine, and Guy Clark thrown in, because when it really comes down to it, mom is more folk than she is country). We played these men on 8-tracks in the big, dusty, black late-70s Chevrolet my mom drove before she moved into the minivan class. I knew the words to songs like "Help Me Make It Through the Night" and "Folsom Prison Blues" well before I could have possibly grasped their subject matter, and I vividly remember bouncing into town on worn out shocks, singing "Mama Tried" along with the scratchy car radio. Neither I nor my mother has the best voice, but what we lack in tune we make up for in volume. And in love.

I remember flipping through my mom's albums, and the ones I wanted to play again and again as a kid. The Outlaws. Waylon & Willie. Live at Folsom Prison. Best of Kristofferson. I loved Cash's booming voice and Willie's smooth one, and it took me many more years to realize that Kris Kristofferson really doesn't have much of a voice at all. I really believed Waylon was a cowboy, and I was more impressed than scandalized when somebody told me The Hag had spent time in the penitentiary. Looking back on it now, I doubt my parents intended me to see these men as heroes, but I certainly did.

And then I grew up a little bit, and figured out how massively uncool country music was, and switched allegiances. And as I developed my own tastes, I found new heroes. The first bunch were more or less throw-aways (there isn't much good you can say for Axl Rose), but I still stand by my love for Kurt Cobain and Ani DiFranco, and still listen to both of their albums. In secret, though, in the car by myself, I never stopped tuning the radio to stations playing country music. Country had mostly turned to pop by then, so mostly it was the same crap as on the other stations, just with a cowboy hat, but occasionally one of those old songs would come on, and I'd sing along just like I had with my mom. But never in front of anybody.

In college I first heard Johnny Cash in the pool hall, and it slowly dawned on me that he'd been dubbed cool. But this was none of the cowboy I'd learned to love as a child, this was the sneering, coked up Cash I'd somehow not seen. No wonder he was cool--he looked like country Iggy Pop. Still, the songs were the same, and it was good to be able to listen to them in public again.

Finally, about the time Cash started putting out records with Rick Rubin, I'd come to my own enough that it no longer mattered what the verdict on Johnny Cash's coolness was--I was getting back into the music I'd loved all along, once again hearing the steel guitar and singing along to songs I'd now known the lyrics to for nearly 20 years. So of course I bought the records, and I was blown away by what I'd been missing. Now an old man, there was a beauty and grace and vulnerability in Cash's voice that he'd never had before. The songs he chose came from all over the map, and everything sounded so beautiful, so brilliant, and so brittle, so fragile.

Which, by that point, he was. While I'd been preoccupied with being a teenager and then a young adult, Johnny Cash had gotten old. Waylon Jennings had died. Kris Kristofferson had turned from the blue-eyed sex symbol of some of my earliest illicit thoughts to a gray-haired B actor. The first time I saw the "Hurt" video, I bawled my eyes out, a little bit for my own early-20s newfound fear of aging, but mostly for the old man in the video, a man who sounded a little bit like the outlaw I remembered, but mostly just looked like an old man.

One day I looked up and he's pushin' eighty
He's got brown tobacco stains all down his chin
Well to me he was a hero of this country
So why's he all dressed up like them old men?

Really, though, I realized upon further viewings, and upon listening to the song over and over again, there was nothing to cry about. This man had lived an amazing life, had been a part of an amazing love, and had carried on, almost til his dying day, with making his music. And making it well. Unlike so many musicians who wash up, who forget, after years of fame, why they do what they do, Johnny Cash continued until his last recording to make real music, the kind real people listen to, and to make it as well as anybody ever has or likely ever will.

Having done a good bit of studying American history, there aren't that many American legends left for me to believe in. I know JFK was a womanizer and a liar, and that no matter how sympathetic his portrayal by Kevin Costner, Wyatt Earp mostly just liked to kill people. I have a hard time sympathizing with Custer's last stand or thinking Lewis & Clark were heroes. Marilyn Monroe and James Dean weren't very smart; Jim Morrison and Janis Joplin were alcoholics, and the more of those I know, the less like legends they look. Johnny Cash, however, stands out in my mind as an American icon. This isn't because I'm not aware of the dark periods in Cash's life--I am--but because he never, to my knowledge, pretended to be anything but a man. A flawed, American man. And there aren't enough of those left.

It may just be chance that Johnny Cash--and the whole passle of American poet-cowboy-outlaw-singers he represents--speaks to me like he does. It may have something to do with growing up in the West, where such things are glorified, or with my own somewhat rebellious spirit. But it's good for us all, I think, to have something or someone speak to us once in a while. It's good to be able to believe in something or someone, no matter how silly. And it's good to have these things or people as links to the parts of our own lives that we are removed from. I still listen to old country songs, and I hear my mother's voice on them more often than not. When I look at pictures of Johnny Cash, I see our shared Native American ancestry in the set, square jaw that looks slightly like my grandmother's. And I don't just miss him, I miss her. I miss six year-old me, singing along to songs I couldn't have understood. And, maybe just for a minute, I'm her again. A piece of American history.

Heard on the way to work this morning. Given my recent whinging about my job and Bush's oh-so poor friendly budget proposal, it seems fitting.

"We Can't Make it Here"

Vietnam Vet with a cardboard sign
Sitting there by the left turn line
Flag on the wheelchair flapping in the breeze
One leg missing, both hands free
No one's paying much mind to him
The V.A. budget's stretched so thin
And there's more comin' home from the Mideast war
We can't make it here anymore

In Dayton, Ohio
Or Portland, Maine
Or a cotton gin out on the great high plains
That's done closed down along with the school
And the hospital and the swimming pool
Dust devils dance in the noonday heat
There's rats in the alley
And trash in the street
Gang graffiti on a boxcar door
We can't make it here anymore

-Music and lyrics by James McMurtry

There are moments when I know that I may be confused, but I'm not really an agnostic. I just had one of them listening to this. k.d. lang's version, from Hymns of the 49th Parallel

Now I've heard there was a secret chord
That David played, and it pleased the Lord
But you don't really care for music, do you?
It goes like this
The fourth, the fifth
The minor fall, the major lift
The baffled king composing Hallelujah

Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah
-Leonard Cohen

This album is a little bit hard to get a hold of, but it's so worth it. It's one my all-time faves, and is the first in a series of all-times faves I am going to review here.

Babes with Axes is a (former, unfortunately) band from Eugene, Oregon. It is comprised of four independent artists, Debbie Dietrich, Katie Henry, T.R. Kelley, and Laura Kemp, each of whom also performed (performs) solo. The album a live recording, done at the infamous (at least if you are me) University of Oregon W.O.W. Hall. The group performs each artist's solo songs together, with them all doing vocals and playing guitars and various other instruments. It's pretty straight up folk, but it's simply, beautifully done.

My favorite tracks are generally the ones written and led by Laura Kemp, who also has great solo records (as do the other artists--the only one I don't have is Katie Henry's). I am particularly enamored with the album's opening track, "I Know, You Know." Other favorites include another one of Laura's, "The Rootless Way," Debbie Dietrich's "The Road from Me to You," and T.R. Kelley's funny and telling "Downwardly Mobile (aka Government Cheese)," which I know I've mentioned here before.

These are basic folk songs--simple guitar melodies, beautiful lyrics, lovely singing. They are about relationships, about loss, about being far away from the people you love, about being a woman. Very salt of the earth. Highly recommended.

"I just put my plants into the ground/I was tired of always lugging them around/When I open up my eyes/I could not see a blue sky/I've got everyone I love so far away/And if I had the antidote/If I knew the cure/I'd be the first to change this rootless way/I'd be coaxing you to stay." -Laura Kemp, "The Rootless Way"

This week's Austin Chronicle's cover story is about one of my personal heroes, as a writer, as an activist, and as a person, Kris Kristofferson. I suggest you read it.

When asked for his life's goals, Kris said, "Tell the truth. Sing with passion. Work with laughter. Love with heart." I can get behind that. I can so get behind that.

The first 25 songs that appear, when shuffling:

1. Greg Brown, "Slant Six Mind"
2. Counting Crows, "Blue Buildings"
3. Johnny Cash and Willie Nelson, "Don't Take Your Guns To Town"
4. Hole, "Malibu"
5. Olive, "I Don't Think So"
6. Guns N' Roses, "Right Next Door to Hell"
7. Carrie Newcomer, "Threads"
8. Nirvana, "Smells Like Teen Spirit" (live)
9. Dixie Chicks, "Without You"
10. Portishead, "Mourning Air" (live)
11. Everything But the Girl, "Big Deal"
12. Johnny Cash, "Rowboat"
13. Patti Smith, "Free Money"
14. Tracy Chapman, "Say Hallelujah"
15. Sarah McLachlan, "Home"
16. Roseanne Cash, "Radio Operator"
17. Madonna, "Candy Perfume Girl"
18. Rolling Stones, "Sympathy for the Devil"
19. Iggy Pop, "Nazi Girlfriend"
20. Ani DiFranco, "Out of Range" (live)
21. Kris Kristofferson, "Stranger"
22. Janis Joplin with Big Brother and the Holding Company, "Flower in the Sun"
23. Babes with Axes, "We Pay the Price"
24. Emmylou Harris, "Michelangelo"
25. Ani DiFranco, "Hurricane"

This is from the fantastic Ms. Frog.

Instructions:
Step 1: Put your MP3 player or whatever on random.
Step 2: Post the first line(s) from the first 30 songs that play, no matter how embarrassing the song.
Step 3: Post and let everyone you know guess what song and artist the lines come from.
Step 4: Strike through the songs when someone guesses correctly.
Step 5: Looking them up on Google or any other search engine is CHEATING!

Here are mine:

1. The first part of every day for me is good
2. I've been in and out of every honky tonk in town
3. Half the people you see these days are talkin' on cell phones
4. Life is turned upside down
5. Out of nowhere this gust of wind brushed my hair

6. Is it too much to ask?

7. You give me that look that's like laughing
8. It takes more love than a heart can hold
9. I can't do it, I can't conceive of everything you're trying to make me believe
10. Soon we'll come to the end of life's journey

11. You thought she was an angel, I can still hear you say
12. When I was four years old they tried to test my I.Q.
13. C'mon people now, smile on your brother
14. It's against the law to walk, it's against the law to talk
15. The wind is ruthless and the trees shake angry fingers at the sky

16. Bye, bye bye baby, bye bye
17. Forgiving you was easy, but forgetting seems to take the longest time
18. She sat on the pavement as I pulled in the drive
19. You keep telling me I'm beautiful but I feel a little less so
20. Words fell, like roses at our feet

21. I walked 100 miles just to see you
22. I never knew I could feel like this
23. Don't you worry 'bout what's on your mind, woman
24. My first lover
25. I wanted everything for a little while, why shouldn't I?

26. In the jukebox of her memory, the list of names flips by and stops
27. I don't want to feel this way
28. Hear that lonesome whip-o-will
29. Everybody was estatic, about the light show on the farm
30. Well there was a little falter at the alter of confession

So here's what they were:

1. The first part of every day for me is good
Dar Williams, "It Happens Every Day"

2. I've been in and out of every honky tonk in town
Loretta Lynn, "Mrs. Leroy Brown"

3. Half the people you see these days are talkin' on cell phones
Greg Brown, "'Cept You and Me Babe"

4. Life is turned upside down
Badly Drawn Boy, "Life Turned Upside Down"

5. Out of nowhere this gust of wind brushed my hair
k.d. lang, "Pullin' Back the Reins"

6. Is it too much to ask?
Lucinda Williams (could have also been Mary Chapin-Carpenter), "Passionate Kisses"

7. You give me that look that's like laughing
Ani DiFranco, "Falling Is Like This"

8. It takes more love than a heart can hold
Maria McKee, "More Than a Heart Can Hold"

9. I can't do it, I can't conceive of everything you're trying to make me believe
Aimee Mann, "How Am I Different?"

10. Soon we'll come to the end of life's journey
Johnny Cash, "If We Never Meet Again"

11. You thought she was an angel, I can still hear you say
Y'all, I have no idea what this one was...

12. When I was four years old they tried to test my I.Q.

Ani DiFranco, "My I.Q."

13. C'mon people now, smile on your brother
Nirvana, "Territorial Pissings"

14. It's against the law to walk, it's against the law to talk
Billy Bragg and Wilco (could also be Woody Guthrie), "Against the Law"
15. The wind is ruthless and the trees shake angry fingers at the sky
Ani DiFranco, "Done Wrong"

16. Bye, bye bye baby, bye bye
Janis Joplin, "Bye Bye Baby"

17. Forgiving you was easy, but forgetting seems to take the longest time
Willie Nelson, "Forgiving You Was Easy"

18. She sat on the pavement as I pulled in the drive
Iggy Pop, "I Felt the Luxury"
19. You keep telling me I'm beautiful but I feel a little less so
Ani DiFranco, "Swim"

20. Words fell, like roses at our feet
Lucinda Williams, "Words Fell"

21. I walked 100 miles just to see you
Peter Wilde, "100 Miles"

22. I never knew I could feel like this
Again, I have no idea.

23. Don't you worry 'bout what's on your mind, woman
The Rolling Stones, "Let's Spend the Night Together"

24. My first lover
Gillian Welch, "My First Lover"

25. I wanted everything for a little while, why shouldn't I?
Everything But the Girl, "Wrong"

26. In the jukebox of her memory, the list of names flips by and stops
Ani DiFranco, "Jukebox"
27. I don't want to feel this way
Everything But the Girl, "Good Cop, Bad Cop"

28. Hear that lonesome whip-o-will
Johnny Cash (but could have been Hank I), "So Lonesome I Could Cry"

29. Everybody was estatic, about the light show on the farm
Dan Bern, "Thanksgiving Day Parade"

30. Well there was a little falter at the alter of confession
Dixie Chicks, "Tortured, Tangled Hearts"

Thanks for playing!

A dream
Or a song
That hits you so hard
Filling you up
And suddenly gone
- "Midnight Radio", from Hedwig and the Angry Inch

I've seen several versions of Hedwig and the Angry Inch (one when it was originally off-Broadway, but sadly with Ally Sheedy rather than John Cameron Mitchell, two on stage in Portland, and the film in various venues). Every time, I've felt this amazing rush of emotions--sadness, grief, complete joy, and awe at the true brilliance of the work. Last night was no different. S. and I went to a "Hedwig Sing-Along" at our local cool-ass indie theater, and it was a great time. But it's more than a great time. It's more than, as the host said, "the greatest rock movie of all time." It's this trascendent, spiritual experience. I know that sounds weird, but there it is.

So if you haven't seen it (gah!) or haven't seen it lately, check it out again. If you are anything like me, it's a mind-blow, and ultimately and uplifting experience, every time.

There's the wind
And the rain
And the mercy of the fallen
Who say they have no claim
To know what's right
There's the weak
And the strong
And the beds that have no answers
And that's where I may rest my head tonight

-Dar Williams, "Mercy of the Fallen"

Despite being in pretty bad physical and emotional shape this week (the headache that never ends, among other things), I went to see Dar Williams play at the Cactus Cafe on campus on Tuesday night. And she was great. Actually, she probably wasn't, by an objective standard, great, but it was great fun to see her anyway. It's a very small room, and I got there early, so I was in the first row, only a few feet away from her, which was excellent.

She did a few songs I hadn't heard her do live before, including one of my very favorites, "I Had No Right," which is about Jesuit priest Daniel Berrigan and his work for peace, and is a great song, so hearing her do that was a thrill. She also did favorites such as "The Christians and the Pagans" and "When I Was a Boy," and even did "Southern California Wants to be Western New York" by request, which was great.

While watching the show, I started thinking about my penchant for music driven by heady lyrics and performed by tiny women with big guitars. Who would have thought, in my heavy metal-transitions-to-grunge youth, that I'd end up so comfortable in a folk club, watching a performance that consists completely of a woman, her guitar, and her words. It's such an intimate experience (particularly from the first row). It feels so good, so honest. So like something I can relate to. When did that happen? When did bands become to loud and distracting? I've always, to a greater or lesser degree, liked singer-songwriters, but now they're generally the only people I care to see live. And I am more and more unwilling to sit in large venues and watch concerts that seem more like plays. The natural, flowing, personal nature of the shows I've seen at the Cactus Cafe, though--Lucy Kaplansky, Eliza Gilkyson, and now Dar--they are worth leaving the house for.

Once again, it leaves me feeling old. But not necessarily in a bad way. This is what I like. And there's nothing wrong with that.

Here is a list of some of my favorite things in 2006.

Top 5 Books
5. I Like You: Hospitality Under the Influence by Amy Sedaris
4. My Life in France by Julia Child
3. The Class Castle: A Memoir by Jeanette Walls
2. The Mercy of Thin Air by Ronlyn Domingue
1. Water for Elephants by Sara Gruen

Top 5 Movies
5. Wordplay
4. The Science of Sleep
3. V for Vendetta
2. Little Miss Sunshine
1. Kinky Boots

Top 2 TV
2. House, Season 3
1. The Wire, Season 4

Top 5 CDs
5. The Be Good Tanyas, Hello Love
4. The Little Willies, The Little Willies
3. Bruce Springsteen, We Shall Overcome: The Seeger Sessions
2. The Dixie Chicks, Taking the Long Way
1. Roseanne Cash, Black Cadillac

What'd I miss?

As I think I've mentioned before, I am a big, big fan of Leonard Cohen's song, "Halleluja." In fact, if I had to pick a #1 favorite song, that would probably be it. As such, I'm a sucker for a decent cover of it (the Dresden Dolls do a great one, as does k.d. lang). My expatted-to-Norway friend S. just sent me a link to a Norweigan group doing it, which she'd seen on TV. You should give it a watch/listen. It's goddamn brilliant.

I woke up this morning, for whatever reason, thinking about the songs I've been told I remind people of over the years. I can actually only think of three (should there be more?), but I think it's an interesting list. And it would make a good meme-type question, so readers, comment or add this to your blog? What songs have reminded people of you?

The first time I remember being compared to a song, it was Soul Asylum's "The Sun Maid." (Their album, "Grave Dancers Union" was very popular at the time.) Here are those lyrics:

The Sun Maid
Tell me how you get that shine
You must polish all the time
Though I know your job is thankless
They will thank you up in heaven
Oh the Sun Maid
Looking for the shade
Though they say she's not too bright
She takes care of all the light
Without you it's cold and stark
We would all be in the dark
Without the Sun Maid
She never gets paid
Searching for the shade
Oh the Sun Maid
You are so taken for granted
With each and every seed that's planted
And the earth is so demanding
All the young girls are out tanning
The Sun Maid
She's such an old maid
She never gets laid
Oh the Sun Maid
Now you're tired, your day is over
Now the moon is one day older

Now you tell me what that comparison was about...

A few years later, a slightly less insulting song brought up thoughts of me--U2's "Who's Gonna Ride Your Wild Horses?" (From Achtung Baby, also very popular when I was in high school.)

Who's Gonna Ride Your Wild Horses?
You're dangerous 'cause you're honest
You're dangerous, you don't know what you want
Well you left my heart empty as a vacant lot
For any spirit to haunt

Who's gonna ride your wild horses?
Who's gonna tame the heart of thee?

I have to admit that one remains my favorite. Makes me sound exciting, don't you think? Incidentally, this is the only one that WASN'T suggested by someone I was sleeping with/someone who was trying to get me to sleep with him.

The most recent comparison, which has still been a number of years ago, was to "Swords" by Leftfield (off the album of the same name). Also a bit strange...

Swords
Danger, in every corner.
I have become pure water.
I can identify.
I close my eyes.
I wear my sword at my side (x2).
Cleanse me.
Deep in the fire.
I have become pure water.
I wear my sword at my side (x4).
I have become pure water (x2).
I have become pure water (distorted and echoed)

So those, such as they are, are mine. What are yours?

(Ralph McTell, as altered by Nanci Griffith)

Four who shared this room and we caught up in the crack
Sleeping late on Sundays and we never got to Mass

It's a long way from Clare to here
It's a long way from Clare to here
It's a long, long way
It gets further by the day
It's a long, long way from Clare to here

Needless to say, perhaps, you probably don't want to hear from me right now. Gotta shake home off first.

Yes, that was a hiatus. I have no particular need or wish to explain it, so we'll just move right along.

I'm the obsessive type. When I get into something--be it a person, an idea, a television show, whatever--I'm all in. I think about nothing else for days or weeks or months. I annoy those around me by talking about whatever the obsession is non-stop. That's just the kind of person I am.

For several weeks now, I've been obsessed with having a baby. And I will remain so, I'm afraid, but as that's not in the cards in the near future, I'm moving on to greener, less fraught obsession pastures. These currently include Jon Bon Jovi and The Gilmore Girls. Which sucks, because I have only two episodes of Season 6 left, then I have to wait for Season 7 to be released on DVD, and then it's all over. It breaks my heart that these things--TV shows and novels most especially--end. It is, I think, quite unhealthy.

As for the Jon Bon Jovi thing, what can I say? I saw him on an Unplugged thing (on CMT, oddly) and my love for him has been re-invigorated. He even did "Hallelujah," and it wasn't half bad. I'm not actually old enough to be an original Bon Jovi fan (I'm just a few years too young to have enjoyed hair metal in its prime, though I made up for that with an unrelenting love of Guns N' Roses well after they stopped deserving it), but I have to tell you, Jon looks better now than he ever did in his heyday. He's way more pretty boy, but he's got a great mouth. Reminds me of Ami from Miami Ink, actually. Only slightly more sincere-seeming.

And so life blathers on. Not all that inspired, I know, but this is the beauty of media--distraction.

It's been a good long time since I've fallen in love with a new CD. But I am, for the moment, crushing fairly hard on Patti Smith's new(ish) cover CD, Twelve. Covers are nothing new for Patti, and she's gotten a lot of criticism for the more mellow and less drastic versions she offers on this album, but to my ear, this is some of her best work ever. It has a mature, almost tired, sound that makes sense to me, given Patti's age and everything she's seen, and also fits well with the songs themselves, most of which are decades old and some of which haven't aged all that gracefully.

The twelve song collection begins with fairly low-key version of Jimi Hendrix's "Are You Experienced?" and culminates with Stevie Wonder's "Pastime Paradise" (which brings Coolio's "Gangster's Paradise" to my mind much more readily than Wonder's original, but that may just be due to my age). In between, Patti brings the house down with the best versions I've ever heard of both Tears for Fears "Everybody Wants To Rule the World" and Neil Young's "Helpless," my favorite track on the album, and a song I didn't even know I liked until I heard her do it.

Other surprisingly strong points are Patti's version of The Doors' "Soul Kitchen" and her Stones-true take on "Gimme Shelter" (a song that takes on a whole other thing when sung by a woman). The places where the album lacked for me were the songs I was most looking forward to hearing--the nonsensical ramblings of both Nirvana's "Smells Like Teen Spirit" (which, much as I love the original, probably didn't ever need to have its lyrics enunciated so clearly) and Jefferson Airplane's "White Rabbit." The anthemic and hallucinatory nature of both of these pieces seems out of place on this subtle and melancholy album.

The collection is rounded out with the Beatles "With You Without You," Bob Dylan's "Changing of the Guard," Paul Simon's "The Boy in the Bubble," and the Allman Brothers' "Midnight Rider," with "White Rabbit" the only track where Patti takes on lyrics originally sung by another woman. Normally, ignoring songs originally done by women would bother me, but with the way Patti takes these guys' songs and makes them hers (reminding me a wee bit of the better parts of Tori Amos' Strange Little Girls), it works out pretty well.

This album brings up the question, though, if you are a musician or wish you were--which twelve songs would you choose to cover? I'll think about it and post my list later.

In a melancholy mood today, I decided to use my new best friend iMeem to make myself up a play list of all of the covers of "Hallelujah" I could find. Because really, what better way to wallow in it, and also to follow up my Patti Smith-related covers theme from yesterday? And after finding them all, what better than to review them, right?

Bon Jovi: The full version of Bon Jovi's "Hallelujah" isn't available on iMeen, just a 30 second clip, but I've heard it before. It's not a bad version, and I salute them for picking this song to cover, but it's pretty standard and a bit too choir-y in the chorus for my taste. A solo version of just Jon and a guitar doing it would likely be better. I think they use all of the regular verses.

John Cale: John Cale is a Welsh musician who does a fairly standard take on the song, accompanied by a piano and with a slightly speedier tempo than many others. He includes all of the typical verses.

Leonard Cohen: Unlike Bob Dylan, I often really like Leonard Cohen's versions of his own songs. I think his "Chelsea Hotel" is fabulous. But honestly, I prefer other people doing this one. Cohen's version is so sedate compared to some others, I don't get as much pain from it. Clearly it's his song, and he can do it however he wants, but I think adding a singer with bigger vocal range improves the song. The great thing about the Cohen version, however, is the inclusion of the verses nobody else uses in place of the final two verses:

You say I took the name in vain
I don't even know the name
But if I did, well really, what's it to you?
There's a blaze of light
In every word
It doesn't matter which you heard
The holy or the broken Hallelujah

I did my best, it wasn't much
I couldn't feel, so I tried to touch
I've told the truth, I didn't come to fool you
And even though
It all went wrong
I'll stand before the Lord of Song
With nothing on my tongue but Hallelujah

Sheryl Crow: This song is out of Sheryl Crow's league, no doubt, but given that, she does an OK job with it. Her's is a spare, guitar-accompanied version, a bit too fast for my taste, but not terrible. And one thing I will say for Crowe is that she includes that fourth verse that most of the women who cover this song take out, and I appreciate that.

Allison Crowe: Canadian singer-songwriter Allison Crowe brings a nice piano and fantastic pipes to the song, and this is a good, solid version, with enough loss of control in the later verses to make me believe it. She includes the all of the standard verses. Makes me want to give a listen to Crowe's original work.

Dresden Dolls: The Boston-based Dresden Dolls call themselves "brechtian punk cabaret," and that's as good a name for what they do as anything else. The wringing pain in the vocal on their piano-driven live version of "Hallelujah" is the most excruciating take on the song I've heard. Their version is slow and drawn out, clocking in at two minutes or so longer than most cuts of it, and it leaves my breath baited for the whole time. By the end, it sounds as if the band's singer is being ritually tortured while singing. Yeah, it's that good.

Gavin Degraw: Poppy Gavin Degraw's version of the song does almost nothing for me. It's a basic vocal+piano, with not much real emotion I can find in it. It sounds almost as if he's trying to make the song sexy, and it's so just not supposed to be that way. Making matters worse, he skips the final verse ("well, maybe there's a god above/but all I’ve ever learned from love/was how to shoot somebody who outdrew you/it's not a cry that you hear at night/it's not somebody who's seen the light/it's a cold and it's a broken hallelujah") and does a weird high-note thing at the end. Bah.

Imogen Heap: I'm not generally a huge fan of English singer-songwriter Imogen Heap--I think she's melodramatic. But this is a melodramatic song, and her a capella version does not disappoint. She skips the first two verses and just sings the last three, giving a whole lot more romantic imagery and a whole lot less religious imagery, which is an unusual take.

Jeff Buckley: Jeff Buckley's version (from the album "Grace") tends to be the gold standard of "Hallelujah," and that's the case for a reason. He breaks my heart every time. His full version isn't available on iMeen either (stupid record companies!), but it's worth buying from iTunes if you've not heard it. He includes all of the regular verses and it's mostly a boy+guitar type of a take. It's not my favorite version ever, but it's probably the most accessible, while still sounding emotionally honest. Plus Buckley's story is such a sad one that it gives the song an extra poignant feel when you listen to him sing it.

Jake Falana Band: This is an alternative-indie band out of New Jersey, and their version is mellow and haunting, with soft vocals and slightly twangy guitar. Not my favorite version--the vocal is too low and the guitar to high for me, and the singer doesn't have the vocal range I'd really like to hear for this song, but it's not a bad try at it, either. All of the regular verses.

k.d. lang: It was k.d. lang who brought me the love for this song in the first place, on the day that I listened to her version, from "Hymns of the 49th Parallel," over and over again, bawling like a small child. I have since found covers of it I actually prefer, but this one is certainly easy on the ears, with lang giving it a sultry treatment that I never would have expected to suit it so well. I wish she didn't skip the fourth verse.

Espin Lind, Kurt Nilsen, Alejandro Fuentes, and Askil Holm: This version of "Hallelujah," done with each man taking a verse and four-part harmony on the chorus, is probably the single best one of I've ever heard. The singers are (I think) all Norwegian, with solo careers, but seem to have made one album together, featuring this song. It's just beautiful, though not as emotionally gripping as some of the other versions. In order to have the right number of verses to go around, though, they skip the fourth one, which is just too bad.

Jack Lukeman: Irish singer-songwriter Jack Lukeman (also known as Jack L) has a much deeper voice than most of the people who take this song on, and it doesn't quite work for me. The lowest parts of the song seem almost farcical when he does them, with none of the voice shaking and tremble that makes the song seem prayerful when other people do it. Like so many others, Jack L skips the fourth verse.

Regina Spektor: Tori-esque singer/pianist Spektor's version of "Hallelujah" is only barely musical, with a soft drum and organ type background, mostly just vocal. It's very slow and very raw, with almost breaking vocals in a couple of places and a chorus that veers off the original melody. It's painful to listen to, and, I think, fabulous. Spektor skips the fourth verse ("well there was a time when you let me know/what's really going on below/but now you never show that to me do you/but remember when I moved in you/and the holy dove was moving too/and every breath we drew was hallelujah"), which is disappointing to me, but overall, she hits it out of the park.

Rufus Wainwright: I love me some Rufus Wainwright--I think he was fabulous on the soundtrack to "Brokeback Mountain," and I love his cover of Cohen's "Everybody Knows," but his "Hallelujah" doesn't give me the big love. The tempo is too fast, making it seem almost upbeat, and he doesn't use as much of his range as he could. He includes all of the typical verses.

Any versions I missed?

Editing later to add that if you want to check out the playlist and hear most of these versions (though not the entirety of the Bon Jovi or the Jeff Buckley), go here.

I had such a good time playing with iMeem yesterday; I decided to do it again today. Today's subject: a play list of songs about Los Angeles. Obviously, there are A LOT of songs about L.A., and I kept it down to 15, so if I missed your favorite L.A. song, my apologies (I missed a couple of my own as well, due to them not being available on iMeem). If you want to hear the ones I did choose, go here. And if you just want to read about them...

1. "L.A. Song" by Christian Kane
I started off with this one because it's the song that got me started thinking about L.A. It's from Angel.
Pretty girl on every corner
Sunshine turns the sky to gold
Warm, warm it's always warm here
And I can’t take the cold

2. "Screenwriter's Blues" by Soul Coughing
Probably my favorite L.A. song ever. Puts my in a semi-hypnotic state.
It is 5 am
and you are listening
to Los Angeles

3. "Los Angeles is Burning" by Bad Religion
A classic.
A placard reads "the end of days"
Jacaranda boughs are bending in the haze
More a question than a curse
How could hell be any worse
The flames are stunning
The cameras running
So take warning!

4. "A Long December" by The Counting Crows
I can't help it, I have a soft spot for the Counting Crows. Plus this song is just so damn sad and lonely, I am using it as a stand-in for Dan Bern's "Wasteland," which isn't available on iMeem.
And its one more day up in the canyons
And it’s one more night in Hollywood
If you think you might come to California...I think you should

5. All I Wanna Do by Sheryl Crow
Not the most original choice, I know, but I had to include something that implies L.A. might be fun...
All I wanna do is have some fun
I got a feeling I'm not the only one
All I wanna do is have some fun
I got a feeling I'm not the only one
All I wanna do is have some fun
Until the sun comes up over Santa Monica Boulevard

6. "California Dreamin'" by The Mamas and the Papas
Another classic.
All the leaves are brown
And the sky is grey
I’ve been for a walk
On a winters day
I'd be safe and warm
If I was in L.A.
California dreamin
On such a winters day

7. "California" by Joni Mitchell
For a Canadian, Joni Mitchell really makes you believe she's homesick for California. Regardless of the Sunset reference, though, this song always makes me think more of Northern California than L.A. Regardless, it's another classic that had to make the list.
California I'm coming home
Oh will you take me as I am
Strung out on another man
California I'm coming home

8. "Welcome to the Jungle" by Guns N' Roses
I'm not going to bother commenting on what currently passes for Guns N' Roses, but the original GNR line-up was, to my mind, the ultimate in L.A. bands, and this is their ultimate L.A. song.
Welcome to the jungle
It gets worse here everyday
Ya learn ta live like an animal
In the jungle where we play
If you got a hunger for what you see
You'll take it eventually
You can have anything you want
But you better not take it from me

9. "Lullaby" by Shawn Mullins
Since it's both a great L.A. song (again with the loneliness theme) and one of my favorite songs ever, this one had to make the list. Plus I just love this line:
I told her I ain't so sure
about this place
it's hard to play a gig in this town
and keep a straight face
seems like everyone here's got a plan
it's kind of like Nashville with a tan

10. "Why You'd Want to Live Here" by Death Cab for Cutie
I'm not a huge fan of DCFC, or their whole genre, but this is a good song, and I'm a sucker for outside criticism of L.A.
And I can't see why you'd want to live here.
Billboards reach past the tallest buildings,
"We are not perfect - but we sure try."
As UV rays degrade our youth with time.

11. "Celluloid Heroes" by The Kinks
I unabashedly love this song.
And those who are successful,
Be always on your guard,
Success walks hand in hand with failure
Along Hollywood Boulevard.

12. "California" by Rufus Wainwright
The really fabulous thing about this song is the feeling of exhaustion and fed-up boredom. Nobody does boredom like Rufus Wainwright.
California, California
You're such a wonder that I think Ill stay in bed
Big time rollers, part time models
So much to plunder
That I think I'll sleep instead

13. "Los Angeles, I'm Yours" by The Decemberists
Nothing like a little L.A. love from a Portland band...
There is a city by the sea
A gentle company
I don't suppose you want to
And as it tells its sorry tale
In harrowing detail
Its hollowness will haunt you
Its streets and boulevards
Orphans and oligarchs it hears
A plaintive melody
Truncated symphony
An ocean's garbled vomit on the shore,
Los Angeles, I'm yours

14. "City of Angels" by The Distillers
The Distillers add a much-needed dose of California punk to the list. Plus, extra points for bitterness.
It’s a ghost town rabid underworld
Dionysian night vitriolic twilight
A mirage comes up it never ends
Once you get burnt you’re never the same
Left behind erased from time
Ain’t no decency in being boxed up alive
Look around ain't no R.I.P. signs here
We don’t rest in peace
We just disappear

15. "Under the Bridge" by Red Hot Chili Peppers
Gotta end on a sad note, with a song that brings my adolescence to mind in the first three chords. This is a band that has a lot of L.A. songs, and this is the only one that does a damn thing for me. I'm such a sucker.
It's hard to believe that there's nobody out there
It's hard to believe that I'm all alone
At least I have her love, the city she loves me
Lonely as I am, together we cry

So hit me--what L.A. song should I have included that I missed?

I can't stop. I am an iMeem addict.

Today's play list is a celebration of the songs of Bob Dylan. Which are, of course, so much better if Bob Dylan is not singing them. It is by no means a representative sample of Dylan covers--I definitely have preferences here (which is why there are two different versions of my favorite Dylan song included in my 15 choices, and there could easily have been at least one more). Still, a few unusual things on the list that are fun to listen to. If you want to check them out, go here.

The list:
1. "Just Like a Woman" covered by Nina Simone
2. "Hurricane" covered by Ani DiFranco
3. "Don't Think Twice (It's Alright)" covered by Social Distortion
4. "He Was a Friend of Mine" covered by Cat Power
5. "I Shall Be Released" covered by Jack Johnson
6. "It Ain't Me, Babe" covered by Lucy Kaplansky
7. "Like A Rolling Stone" covered by Bob Marley
8. "Tangled Up in Blue" covered by the Indigo Girls with Ani DiFranco
9. "Trouble in Mind" covered by Janis Joplin
10. "Death is Not the End" covered by Nick Cave and the Bad Seeds
11. "Maggie's Farm" covered by Rage Against the Machine
12. "When I Paint my Masterpiece" covered by Elliot Smith
13. "Isis" covered by The White Stripes
14. "Just Like a Woman" covered by Van Morrison
15. "Girl From the North Country" covered by The Rolling Stones

Anybody who can point me towards a full version of any of Nina Simone's Dylan covers gets a cyber-cookie.

Given my previous post mentioning my upcoming ten year high school reunion, I was inspired to make a play list today featuring songs I remember from high school. Please note that these are definitely not all songs I personally chose to listen to when I was in high school, just the stuff I remember being popular, playing at school dances, that kind of thing. Presented in roughly chronological order, you can hear the list here.

The List:

1. "I Can't Help Falling in Love with You" by UB40. This was huge my first year of high school, if I'm remembering correctly. Another UB40 cut, "Red Red Wine" was also big. For reasons I don't understand, I associate UB40 with my ill-fated first high school boyfriend.

2. "Runaway Train" by Soul Asylum. No words for how huge this song, and Soul Asylum's album "Grave Dancer's Union," were. It was actually the first CD I ever bought, when I was, I think, 14. I have special romantic girly associations with another track on that album, "The Sunmaid," but this was the one that everyone knew. It stands in for other stuff, too, coming, like I did, at the tail end of real grunge and the beginning of the faux-grunge sell-out movement.

3. "What's Up?" by 4 Non-Blondes. This song makes me think of my best friend Scand. She loved 4 Non-Blondes. I hadn't heard this in years until I put it on this list, and it actually holds up pretty well to my ear.

4. "Cryin'" by Aerosmith. The mid-90s were a big 70s flashback period, as you probably remember, and who better to celebrate that than Aerosmith? I think this song played at every dance I ever went to in high school. And the videos--for this and especially for "Crazy" a bit later? Huge stuff. Everybody wanted to either be Liv Tyler or do Liv Tyler (or, in my case, both).

5. "Hey Jealousy" by The Gin Blossoms. And so we begin to embrace corporate 90s rock...little did we know that in a few years, rock would be so dead we'd be nostalgic for the Gin Blossoms.

6. "Stay" by Lisa Loeb. Another song I associate with Scand, and also with the sexy/smart girl I was planning to be in college by the time this came out. Wonder what happened to her? Probably the same thing that happened to Lisa Loeb. Anyway, this song also brings up the movie "Reality Bites," which was not exactly a small deal at this point.

7. "Whatta Man" by Salt N Pepa. I'm not proud when I say that I grew up in an all-white community, I'm just stating a fact. And, looking back, a lot of the music we listened to was all-white too. There were things happening in rap and R&B when I was in high school that I had no idea about, and the rest of young America did. Not much I can do about that now, of course, but it's a strange thought. Anyway, white as we were, Salt N Pepa did penetrate, and I personally still have a soft spot there.

8. "Linger" by The Cranberries. Not much to say, except DAMN I still love this song.

9. "Don't Take the Girl" by Tim McGraw. Where I grew up, there was a good bit of country music. I'm sparing you most of it, though I do remember it vividly. However, I have to include one country song on this list, just to be fair, and this one was both huge and not that annoying. Damn contemporary country, anyway.

10. "Gangsta Paradise," by Coolio. See above re: whiteness of my community, but I don't think anybody anywhere missed this one.

11. "Carnival" by Natalie Merchant. By the time I started listening to Ani DiFranco, in around 1994, the chick singer was starting to make some headway on the regular radio airwaves as well. These women didn't do half what Ani did for me, but it was still nice to hear the odd girl voice on airwaves that were previously so testosterone soaked. Natalie Merchant is one of those.

12. "Always" by Bon Jovi. I think this song may have been the theme of my senior prom. Or some similar event.

13. "You Ought to Know" by Alanis Morisette. One of my best high school memories is connected to this song. It involves riding around with Scand in her car, screaming along to this CD. Well, I screamed--she sang. Anyway, it gives me the warm fuzzies even all these years later. Gotta love Alanis for that. I don't quite think it is what she was going for, but whatever.

14. "Breakfast at Tiffany's" by Deep Blue Something. And so we return to corporate music. As far as corporate music goes, I actually like this song, but man I hated it then. It was on all. the. damn. time.

15. "1979" by The Smashing Pumpkins. Ending on this note likely makes my generation seem a lot cooler than it actually is, but a little revisionist history never hurt anybody, did it? And this song was big, as was whole album. A last breathe into grunge. And poetically, the year I was born. Incidentally, if you've never thought about the lyrics to this song, you should. There's a lot going on there.

OK, here ends my trip down memory lane. I challenge all you out there to try to do this--I'd love to read/listen to your memories.

I mentioned a few days ago that I loved the song Christian Kane did for Angel, "L.A. Song." On the strength of that track, I visited the website for Christian's band, Kane and listened to the sample cuts, and I liked them as well, so I popped over to MxMerch and bought Kane's CD.

Not a bad series of moves by yours truly. I'm very much enjoying the record.

iTunes classifies Kane as country, but I'd put it more in the realm of rockabilly or southern rock--it's driven mostly by guitar and Christian's vocals, with welcome additions of fiddle, lap steel, mandolin, and dobro by Craig Eastman. Lyrically, the songs deal with love lost and found, southern geography (references to Carolina, Dallas, Mexico, I-35, and Oklahoma), drinking, Vietnam, God, dirt roads, neon signs, and many of the usual tropes of good old-fashioned country songs (with extra points for a reference to David Allen Coe that would make my mama proud). Which isn't to say it's all rote--there are moments of lyrical brilliance, and enough references and visuals to keep me interested.

To my ear, the best track on the album is the opener, "Sweet Carolina Rain," which is lyrically interesting ("Preacher man's daughter said I was goin' to hell/And I'm a little superstitious now/Driving down the road going a hundred and ten/Braggin' to your mama's little boy he's a man"), with a fantastic reference to Huck Finn, a sing-along chorus, and a fun fiddle line. I'm also a little bit enamored with the closing track, "Oklahoma State of Mind," which reminds me (in a positive way) of the fun and wild feel of Garth Brooks' "Ain't Goin' Down 'Til the Sun Comes Up." On a sadder and more serious note, the heartbreak and self-loathing that comes across in "Don't Come Home" ("I just called to tell you/That I was wrong and you were on my mind./If you want I'll leave you alone right now/'Cause I know why you're saying, why you're saying/Don't come home") is just about enough to break your heart, and Christian's vocal on it is just perfect.

All in all, this is a solid album for anyone who has a particular affection for Christian's voice, or for country/southern rock hybrid style music. Don't, however, buy the album thinking it's going to be like ten tracks of "L.A. Song"--the feel is much different. Be forewarned that you won't find L.A. lawyer Lindsey McDonald on the Kane album--these boys are southern and you can hear it. And that's just fine by me.

Yesterday, Maria over at BlogHer posted an answer to a question that has been rolling around in my head lately as well: are there any women blogging about music? Turns out there are a good handful, including one I'll definitely be watching, Collected Sounds. Big thanks to Maria for this round-up, and if you are interested in reading women's music writing, definitely check out the post and comments for more places to look.

I was sitting here this morning, sipping my coffee, thinking about what type of play list I'd like to make. So, I decided to go with the obvious and make one about coffee. You can give it a listen here. I know it barely scratches the surface of coffee songs--there are TONS--but it's a good start, I think.

1. "One More Cup of Coffee" by The White Stripes (originally Bob Dylan).
One more cup of coffee for the road,
One more cup of coffee 'fore I go
To the valley below.

2. "Dog Coffee" by Ani DiFranco. Ani actually has a bunch of songs that mention coffee, so I sort of picked one at random.
Would you like some dog coffee
It's all that we've got
You can have some
You can have not

3. "Tom's Diner" by Suzanne Vega. An obvious choice.
I am waiting
At the counter
For the man
To pour the coffee

4. "Heartstopper" by Emiliana Torrini.
Coffee is pouring out my ears
It's the only thing they have in here
And my heart stops beating

5. "Cup of Coffee" by Garbage. This song is so sad. I had forgotten about it...just hearin it again was worth making this list.
You tell me you don't love me over a cup of coffee
And I just have to look away
A million miles between us
Planets crashing into dust
I just let it fade away

6. "Starfish and Coffee" by Prince. My mind must not be free enough, because this is just silly.
If u set your mind free, baby
Maybe you'd understand
Starfish and coffee
Maple syrup and jam

7. "Coffee & Cigarettes" by Michelle Featherstone. (There are other songs with this title as well, including one by Otis Redding.)
I gave up coffee and cigarettes
I hate to say it hasn’t helped me yet
I thought my problems would just dissipate
And all my pain would be in yesterday

8. "Black Coffee" by Black Flag. (Again, there are other songs with this title as well, including a Tricky track and an Ella Fitzgerald song.)
Who are you with, where have you been
Imagination turns thoughts, reason can't change
Staring at the walls, think I know what I see
Anger and coffee, feeling mean

9. "The Opposite of Coffee" by The Lucksmiths.
She often speaks so softly
She sends me to sleep
She’s the opposite of coffee
She’s the last thing I need first thing in the morning

10. "You Were Meant for Me" by Jewel. Couldn't resist.
I called my momma, she was out for a walk
Consoled a cup of coffee but it didn't wanna talk

11. "Black Coffee in Bed" by Squeeze.
The stain on my notebook
Remain all that's left
Of the memory of late nights
And coffee in bed

12. "Smoking Cigarettes and Drinking Coffee Blues" by Lefty Frizzell
Smoking cigarettes and drinking coffee all night long
Wondering how a love so right could suddenly go wrong
I'd take the next bus out of town but I gotta be near you
I got those smoking cigarettes and drinking coffee blues

13. "Taylor the Latte Boy" by Kristen Chenoweth. This is just too damn funny.
Taylor the latte boy,
Bring me java, bring me joy!
Oh Taylor the latte boy,
I love him, I love him, I love him…

14. "Intergalactic" by The Beastie Boys. Not exactly a coffee song, but a line that is reminiscent of how I take my coffee.
When it comes to beats well I'm a fiend
I like my sugar with coffee and cream

15. "Wake Up and Smell the Coffee" by The Cranberries.
Come on now
Wake up, wake up, wake up, wake up
Shut up, shut up, shut up, shut up
It's time, smell the coffee, the coffee

It's no secret that I'm a sucker for a girl with an acoustic guitar. Pretty much any woman wearing the singer/songwriter mantel gets at least a try from me. That being said, I'm a lot pickier about my songstresses than I used to be, and as my adult music taste has formed I've culled a lot of them from my collection. It's not enough that a girl can play the guitar now--she has to actually have something to say.

This being the case, I was tentatively excited to meet Christine Kane at BlogHer, and to listen to her CD, Right Outta Nowhere, which was included in the BlogHer swag bag. My excitement increased after meeting her and attending the BlogHer session during which she co-presented. She was very nice and approachable, and had a seriousness about her craft that I appreciated. I also attended her show at BlogHer, but it was more a party than a show atmosphere and I could barely hear her. Then I came home and proceeded to lose her CD for a month.

But then I found it, and now I am listening to it, and I think you should too.

Right Outta Nowhere is Christine's second most recent CD, released in 2004. (Her most recent release, A Friday Night in One Lifetime, just came out and can be ordered off her website.) The sound is pretty basic girl and guitar, and Christine's voice is very nice, though a bit more professional and less raw than I'd like (her live CDs may suit me more on that front). The brilliance, as is generally the case in this genre, is in the lyrics.

Right Outta Nowhere is an eleven song disc, with ten studio tracks and a live bonus track. It begins with the title piece, a song about jumping in and following your dreams that is at once pretty and anthemic ("She hit that highway/With every ounce of faith she could summon/When courage finally comes/You never see it coming"). The next song, "Made of Steel," reminds me a little bit of Ani lyrically, with a "fuck it, at the very least this is gonna be fun" feel that I just love ("You can round up all your reasons/Tell me that my plan's all wrong/Say you're on the path to Jesus/But I'll be he'd come along"). Most of the other songs on the disc have the same lyrical style, dealing with growing up, relationships, travel, and the ups and down of life with a slightly biting humor, and though some of the songs resonate with me more than others (I particularly like "Falling in Love with the Wind"), I don't see any weak points. The strengths, however, lie in the two tracks that are outside this mold.

The first of these tracks is "Four Legs Good, Two Legs Bad," which I have to quote in its entirety as I love it beyond belief:

Jenny found Mariah back in 1999
When she was living in a town called Bend
The dog was in a dumpster and she went and got it neutered
And Mariah's had it made since then
Then a little while later at a truck stop in Decatur
She saved a skinny cat she calls Clyde
And then she found another and another and another
If you add it all together there's five

Once again the dogs and cats have taken their dominion back
Sofas should be scratching pads
Four legs good Two legs bad

On the strength of that song alone I'll gladly buy the rest of Christine's CDs. However, things just keep getting better with the disc's last track, the "channeled" song "Mary Catherine's Ash Wednesday Journal Entry," in which Christine takes on the persona of 14 year-old Mary Catherine, suffering through Lent in a typically teenage way ("Easter's just around the bend/Once again it is Lent/And my face is smeared with ashes/Either I will run away or I'll stay/And sit through/Another hundred million masses") and reminds me a lot of Dar Williams at her best.

All in all, Christine Kane represents most of what I really love about singer/songwriters. Reasonable to excellent musical abilities mixed with truly being a writer. I plan to buy her new CD and then make my way back through her past ones, and I'm very thankful to have met her at BlogHer and been given this disc, as it renews my hopes that there are wonderful musicians out there I just haven't discovered yet.

In honor of my fabulous weekend with my friends, the theme of today's play list is friendship. There are absolutely tons of great songs on this subject, several of which I sadly couldn't find on iMeem (including Ani's "If He Tries Anything" and Deirdre Flint's "King of the Rollerama"), but these are the 15 I chose. Apologies in advance for the cheesiness of some of them.

1. "He Ain't Heavy, He's My Brother" by The Hollies. I love, love, love this song. It makes my inner hippy dance.

The road is long
With many a winding turn
That leads us to who knows where
Who knows where
But I'm strong
Strong enough to carry him
He ain't heavy, he's my brother

2. "Old Friends" by Everything But the Girl. Pre-electronic EBTG. Weird.

standing here with my arm around you, life's moved on
and all its borderlines are being redrawn
the winter has come the roads are white
everyone's home late tonight
may we stay or will it depend
as old friends
in the end , still old friends

3. "With A Little Help from My Friends" by Tori Amos. Yes, I know this is a Beatles song, but since I generally try to stay away from The Beatles, I included Tori's live cover. This song reminds me of nothing so much as "Life Goes On."

What would you think if I sang out of tune,
Would you stand up and walk out on me.
Lend me your ears and I'll sing you a song,
And I'll try not to sing out of key.
Oh I get by with a little help from my friends,
Mmm I get high with a little help from my friends,
Mmm I'm gonna try with a little help from my friends.

4. "You've Got a Friend" by James Taylor. Oh, come on. Like I was going to leave this one off. Besides, I kind of love James Taylor.

You just call out my name,
And you know where ever I am
I'll come running, oh yeah baby
To see you again.
Winter, spring, summer, or fall,
All you have to do is call
And I'll be there, yeah, yeah, yeah.
You've got a friend.

5. "He Was a Friend of Mine" by Cat Power. Again, a cover version not an original. I like Willie Nelson's version (from "Brokeback Mountain") as well, but couldn't find it on iMeem.

He was a friend of mine
He was a friend of mine
Every time I think about him now
Lord I just can't keep from cryin'
'Cause he was a friend of mine

6. "So Far Away" by Carole King. I get this stuck in my head all the time. Then I feel sad. I'm using this instead of her more famous Gilmore Girls theme song, because this one speaks to me more directly.

One more song about moving along the highway
Can't say much of anything that's new
If I could only work this life out my way
I'd rather spend it being close to you
But you're so far away
Doesn't anybody stay in one place anymore?
It would be so fine to see your face at my door
Doesn't help to know you're so far away
Yeah, you're so far away

7. "Wish You Were Here" by Pink Floyd. Maybe not supposed to be about friendship, but like the previous entry, I get it in my head and then think about how far I am from my friends, so it's on the list.

How I wish, how I wish you were here.
We're just two lost souls swimming in a fish bowl, year after year,
Running over the same old ground.
What have you found? The same old fears.
Wish you were here.

8. "I See a Darkness" by Johnny Cash. Again, not the original, but a brilliant version of a truly sad song.

Well, you're my friend
And can you see
Many times we've been out drinking
Many times we've shared our thoughts
Did you ever, ever notice, the kind of thoughts I got
Well you know I have a love, for everyone I know
And you know I have a drive, for life I won't let go
But sometimes this opposition, comes rising up in me
This terrible imposition, comes blacking through my mind

9. "Alcoholic Friends" by The Dresden Dolls. On a less serious (at least for me) note...heh.

should I choose a noble occupation
if I did I’d only show up late and
sick and they would stare at me with hatred
plus my only natural talent’s wasted on my alcoholic friends
my alcoholic friends

10. "Outside of a Small Circle of Friends" by Phil Ochs. Sad and bitter truth, and a bit about political compatriots as friends.

Smoking marijuana is more fun than drinking beer,
But a friend of ours was captured and they gave him thirty years
Maybe we should raise our voices, ask somebody why
But demonstrations are a drag, besides we're much too high
And I'm sure it wouldn't interest anybody
Outside of a small circle of friends

11. "My Drug Buddy" by The Lemonheads. Another amusing one.

We have to laugh to look at each other.
We have to laugh cause were not alone.

12. "My Only Friend" by The Magnetic Fields. Another sad, and, IMO, fabulous one.

Billie you're a miracle and God knows I need one
Sing me something terrible
that even dawn may come
You and me, we don't believe in happy endings

13. "As Cool As I Am" by Dar Williams. This song may not technically be about friendship, but it gives me a stronger pro-female friends feeling than any other song ever, so I'm including it.

Oh -- I'm not that petty, as cool as I am, I thought you'd know this already,
I will not be afraid of women, I will not be afraid of women.

14. "We're All in This Together" by Old Crowe Medicine Show. This is a new one for me, and I'll be listening to it on repeat now.

Well my friends, I see your face so clearly
Little bit tired, little worn through the years
You sound nervous, you seem alone
I hardly recognize your voice on the telephone

15. "Fire and Rain" by James Taylor. Yeah, I know, I know...but I see the scene dancing in the kitchen in "Running on Empty" every time I hear this, and therefore it gives me fuzzy River Phoenix feelings and I listen to it. So sue me.

I've seen fire and I've seen rain
I've seen sunny days that I thought would never end
I've seen lonely times when I could not find a friend
But I always thought that I'd see you again

To listen to my play list, go here. And tell me what I should have included in the comment.

I've told you before how much I like New York-based folkie Lucy Kaplansky. I bought three copies of her 2004 album The Red Thread (one to keep and two to give away). So I was stoked to see she had released a new CD, Over the Hills, and grabbed it up as soon as I had some CD-buying cash to spare.

Over the Hills isn't as good as The Red Thread. This doesn't surprise me, as The Red Thread was a masterpiece, once-in-a-lifetime kind of record. The overall sound of the record is very classic, with mostly vocals and acoustic guitar by Lucy herself, accompanied by excellent slide and steel guitar by Larry Campbell, as well as occasional electric guitar, mandolin, and fiddle. It's musically very solid, but I don't hear anything particularly inspired or original on it.

The songs on Over the Hills are about half original compositions by Lucy and her husband/writing partner Richard Litvin and half covers. The original songs follow the trajectory begun on The Red Thread; they are very family-centered and concerned mostly with parenthood ("Manhattan Moon") and the loss of friends and family ("Today's the Day," "Over the Hills," and "The Gift"). These are the album's strong suit. Lucy's voice shines brighter and seems to convey more feeling when she sings her own songs. Though I very much like some of the covers she chooses (especially Johnny Cash's "Ring of Fire" and Loudon Wainwright III's "Swimming Song"), she just doesn't seem to feel them as much as she does her original compositions, so I don't feel as much listening to them. The exception to this is Lucy's version of "Someday Soon," a country song written by Ian Tyson and made famous a number of years back by Suzy Bogguss. I've always liked the song, and is much improved by Lucy's pared-down vocal and slightly wry delivery.

The real don't-miss track on the album, though, is Lucy's inter-generational women's anthem "Amelia," a story told by an old woman who is unsatisfied with but resigned to the life she's led ("My name is Amelia/I used to be a pretty girl/Got married 'cause it was time/No reason to finish school") but hopeful for the next generation ("The world outside her room/Is a place she calls her own/My story's almost over/Hers has just begun"). Here you see both Lucy's writing talent and her vocal talent shine, in the most unpretentious of ways.

Overall, Over the Hills is a very good album, and one I'm happy to now have in my collection. I will continue to try and see Lucy perform whenever she is in town and to follow her career.

First, about football. Both of my teams won on Saturday. Oregon's butt-stomping of much higher-ranked and more-respected Michigan was a particular cause for joy at my house. Today, the AP has Texas at No. 6 and Oregon at No. 19. From what I've seen so far, I think that is an over-ranking for Texas and an under-ranking for Oregon, but we'll see.

In other news, I read Ursula K. Le Guin's The Left Hand of Darkness this weekend. No fewer than a dozen people have recommended Le Guin to me over the past few years, and a couple of people whose tastes I generally trust recommended to me recently that I start with this particular book, so I picked it up at the library last week. And...I don't get it. I read the whole book, but I probably would have put it down less than halfway through if it hadn't been so highly recommended. To me, it seemed unnecessarily opaque and kind of poorly written. I had very little empathy for the characters, particularly the protagonist, Genly Ai, and spent most of the time I was reading it hoping it would be over soon. While I found the concepts very cool, the execution just didn't do a thing for me. So now I'm not sure if I should give up on Le Guin completely or try another of her novels. I had so hoped she would be a new author I could really get into.

Not all recommendations are futile, though! Another friend recently suggested that I give Grace Potter and the Nocturnals a listen, and I am rawkin' out. As soon as I can justify buying more new CDs, their new one is going to be headed my way.

With today being "Patriot Day" and everything, I thought a list of songs that are, to me, patriotic, would be appropriate. So...

Songs for America

1. "Kathy's Song (America)" by Simon & Garfunkel. My favorite America song ever. Makes me weepy.

2. "'Tis of Thee" by Ani DiFranco. Sad, sad stuff. Ani probably has a wider selection of what I think of as patriotic songs than anybody else. So she's on the list twice.

3. "This Land is Your Land" by Woody Guthrie. This one is a gimme.

4. "Bread and Roses" by Judy Collins (well, this version is). Nothing makes me feel patriotic like a labor song.

5. "Born in the U.S.A." by Bruce Springsteen. Probably the most inappropriately used song ever.

6. "Across the Great Divide" by Kate Wolf (again, this version). To me, the US as an idea is intimately connected with the land itself. This song does a good job with that.

7. "Proud Mary" by Ike & Tina Turner. I dunno if it's normal to think of this song as patriotic, but I do.

8. "I Ain't Marching Anymore" by Phil Ochs. Truer now than ever. Gah. He's gotta be turning over in his grave to see the mess we're in these days.

9. "City of New Orleans" by Arlo Guthrie. American=trains. Clearly.

10. "Your Flag Decal Won't Get You Into Heaven Anymore" by John Prine. Some much needed clear headed levity.

11. "Grand Canyon" by Ani DiFranco. A look at history from a woman who loves her country. I approve.

12. "I'm Afraid of Americans" by David Bowie. It's a perfectly fair sentiment.

13. "Pretty Good Year" by Tori Amos. Again, sad, but rings true.

14. "Omaha" by The Counting Crows. Another band I could have used multiple songs by. This one really makes my heart sing, though.

15. "Talkin' 'Bout a Revolution" by Tracy Chapman. To end on a positive note.

As always, you can hear the list here.

I am listening to Eliza Gilkyson's newest CD, Your Town Tonight. It's a live recording and it's amazing. Rather than a review, though (since you already know how I feel about Eliza and this CD is mostly live versions of songs that I have already reviewed on other albums), I wanted to share this with you.

Hard Times in Babylon
I light a candle in your name
Long past midnight
Memories bright in the freeze frame
And I’m asking myself why

In the hour of the wolf
Just before the dawn
Hard times in Babylon

Doesn't that just break your heart? I have always wondered who it was about, since it sounds like it was someone in the Austin music community, but it seems to refer to something that happened quite a while before I moved here, so I don't know. Anyway, it's a great song and I'm in a morose mood, so I wanted to share.

On the recommendation of a smart friend with similar musical tastes, I recently picked up the latest release by Grace Potter and the Nocturnals, This is Somewhere. And boy am I ever not sorry. This is Somewhere is one of those albums that I will listen to again and again. I don't think there is a bad track on it, and I can play it all day and never be annoyed, which speaks volumes about both the quality of the music and the diversity of the sound.

Vocally, Grace Potter sounds a lot like a younger Bonnie Raitt (nods to Frog for that brilliant observation). Over the course of the album, she lends that voice to songs that range from straight-up rock (I particularly like the opener, "Oh Mary") to folkie ("You May See Me" and the Dylan-flavored "Ain't No Time") to sultry pop ("Stop the Bus," which is likely my favorite track on the album) to nearly gospel ("Big White Gate"), and each style is believable. My preferences being what they are, I could stand to hear more folk-style stuff on the album, but I really enjoy the style mix.

The instrumentation is solid if not remarkable. Potter plays piano and some guitar, and she's accompanied by Scott Tournet on lead guitar and occasional harmonica and lap steel, Matt Burr on percussion, and Bryan Dondero on bass. Again, I'm a fan of the folky feel (especially the lap steel and accordion in "Apologies"), but they do a good job with the more straightforward pop and rock tracks as well.

Lyrically, Potter is capable of a phrase that sounds like a knowing grin ("could be all the booze we drank in Austin/could be we're just scared of growing old/could be this ain't no way of living/but there ain't nothing like that rock 'n roll") or a bitter cry ("I sang to my children/before they strayed so far/I sang for my lovers/or a nickel in a tip jar/I never knew Jesus/I never read the good book/but on my day of dying/I'm giving life a second look"). Her songs cover the usual ground of relationships and regrets, with enough naiveté to be believable and enough maturity to keep it interesting ("you got the eyes to look for what you saw/and when you don't win or lose I guess you draw/I had to leave I guess you had to stay/don't come looking babe/'cause if you look to hard/I just might look away"), and there is an undercurrent in everything of friendship and music and good times that reminds me of nothing so much as Janis Joplin. I was shocked to learn Potter is younger than I am--she both writes and sounds like a more seasoned musician.

This is Somewhere is an all-around fantastic album, and one I'll be recommending to anybody who will listen for months. Consider yourselves warned.

Happy Thanksgiving! I'm posting early today because we are having guests and plan a full day of cooking, eating, drinking, and socializing. Mark and I generally do Thanksgiving by ourselves (though we have had guests before), so this is a nice change and I'm really excited.

Thought I'd share the Thanksgiving playlist I made up for us last year and to which we are currently listening. I'll probably make up another one today if I have time, as this one is seeming a bit outdated and also completely non-thematic. I was kinda drunk last year.

Nevertheless:

1. "I Ain't Marching Anymore" by Phil Ochs
2. "My Ai'n True Love" by Alison Krauss
3. "Do Re Mi" by Ani DiFranco
4. "When the Man Comes Around" by Johnny Cash
5. "Have I Told You Lately that I Love You" by The Chieftans and Van Morrison
6. "Sunday Mornin' Comin' Down" by Shawn Mullins
7. "Lullaby" by Shawn Mullins
8. "Righteously" by Lucinda Williams
9. "Everest" by Ani DiFranco

More later...guests are here!

I haven't done this in a while, but got the urge today. Go here to listen to my special Monday morning play list. Note that these are mostly songs that appeal to me as an office drone, not labor songs.

1. "9 to 5" by Dolly Parton
Doesn't get any better than this, ever.
"Its a rich mans game/No matter what they call it/And you spend your life/Putting money in his wallet."

2. "Manic Monday" by The Bangles
C'mon, like I wasn't going to lead with this one?
"But I can't be late/'Cause then I guess I just won't get paid/These are the days/When you wish your bed was already made "

3. "I Don't Like Mondays" by Bob Geldof and the Boomtown Rats
Not strictly about work, but hard to resist. At least I'm not using the Bon Jovi cover. Don't think I didn't consider it.
"Tell me why/I don’t like Mondays/I wanna shoot the whole day down."

4. "Take This Job and Shove It" by Johnny Paycheck, as covered by The Dead Kennedys
I love The Dead Kennedys covering this. Opens up a whole new world of funny for me.
"You better not try to stand in my way/As im a walking out the door./Take this job and shove it/I ain't working here no more."

5. "Come Next Monday" by K.T. Oslin
Again, not strictly about working, but I love this song and have since my mom had the 80s Ladies CD. Can't help it.
"Come next Monday/I'm going to bed early/I won't talk dirty for a week or maybe two/I'm going on a diet/Just like sugar, honey/Come next Monday/I'm gonna give up on you."\

6. "Welcome to the Working Week" by Elvis Costello
A classic.
"Welcome to the workin' week./Oh I know it don't thrill you, I hope it don't kill you./Welcome to the workin' week./You gotta do it till you're through it so you better get to it."

7. "Work is a Four-Letter Word" by The Smiths
I'll go on record not being a Smiths fan. Still, though...and ode to a lazy woman? How can I not dig that?
"I don't need/A house that's a showplace/I just feel/That we're going no place/While you say that/Work Is A Four-Letter Word."

8. "Rainy Days and Mondays" by The Carpenters
Could someone who actually LIKES folk music really leave this one off? Plus, it's actually a song about depression, which I'm all for (all for songs, that is, not so much all for depression).
"Talkin' to myself and feelin' old/Sometimes I'd like to quit/Nothing ever seems to fit/Hangin' around/Nothing to do but frown/Rainy Days and Mondays always get me down."

9. "Blue Monday" by New Order
Again, a shoo-in, even if it's not so much about work. Plus I need something to cheer me up after The Carpenters.
"Those who came before me/Lived through their vocations/From the past until completion/They will turn away no more."

10. "Except for Mondays" by Lorrie Morgan
I hadn't heard this for years before I made this list, and yet I still get it in my head regularly. I don't know what that means about it, exactly, but I had to include it.
"Except for Monday which was never good anyway/Tuesday I get a little sideways/Wednesday I feel better just for spite/Thursday and Friday take too long/Before I knew it,Saturday's gone/But it's Sunday now you can bet that I'm alright."

11. "Hey Julie" by Fountains of Wayne
Probably the best modern day "labor" song I can think of.
"Why must I spend my time/Filling up my mind/With facts and figures that never add up anyway?/They never add up anyway."

12. "Workin' for the Weekend" by Loverboy
Again, need some levity on this list.
"Everybody's workin' for the weekend/Everybody wants a new romance/Everybody's goin' off the deep end/Everybody needs a second chance."

13. "16 Tons" by Tennessee Ernie Ford
I know I said no labor songs, but I couldn't resist. Besides, the parallels to our modern debt-based system keep it relevant.
"You haul Sixteen Tons, whadaya get?/Another older and deeper in debt/Saint Peter don't you call me cause I can't go/I owe my soul to the company store."

14. "It's 5 O'Clock Somewhere" by Jimmy Buffet and Alan Jackson
Well, maybe it's just me, but Monday makes me want a drink...
"Gettin' paid by the hour and older by the minute/My boss just pushed me over the limit/I'd like to call him somethin'/But think I'll just call it a day."

15. "The Job That Ate My Brain" by The Ramones
Amen.
"Five o'clock rolls around/I feel so glad I kiss the ground/Ain't enough hours in the day/There's go to be a better way."

Happy Monday, y'all.

Editing to try to embed it...

In honor of Super Tuesday, and by suggestion of my friend Frog, today's play list is Super Songs:

1. "Superhero" by Ani DiFranco
"I used to be a superhero/no one could hurt me/not even myself/You are like a phone booth/that I somehow stumbled into/And now look at me/I am just like everybody else."

2. "That's Really Super, Supergirl" by XTC
"Hurt like kryptonite/Put me on my knees/Now that I've found out just what you're doing.With your secret identities."

3. "Superman's Song" by The Crash Test Dummies
"Superman never made any money/For saving the world from Solomon Grundy/And sometimes I despair the world will never see/Another man like him."

4. "Superstar" by Tegan and Sara
"Hardcore superstar by far/You're the ultimate star/Hardcore superstar by far/You're the ultimate star/Do you wanna be a superstar?"

5. "Super Duper Love" by Joss Stone
"Your love is super/Are you diggin on me coz im diggin on you/I'm just trying to tell you/Oh this love is super duper."

6. "Super Hyperspastic" by Sugarcult
"I'm super hyper spastic, yeah.I lost my sex drive and I'm holdin' out on you."

7. "Superfreak" by Rick James
"That girl is pretty wild now/The girl's a super freak/The kind of girl you read about/In new-wave magazine."

8. "Superman (It's Not Easy)" by Five for Fighting
"It may sound absurd/but don't be naive/Even heroes have the right to bleed/I may be disturbed/but won't you concede/Even heroes have the right to dream/It's not easy to be me."

9. "Super Trouper" by ABBA
"Super trouper beams are gonna blind me/But I wont feel blue/Like I always do/cause somewhere in the crowd theres you."

10. "Scary Monsters (and Super Creeps)" by David Bowie
"Scary monsters, super creeps/Keep me running, running scared."

11. "Super Disco Breakin'" by The Beastie Boys
"Money Makin Money Money Makin Manhattan Super Disco Disco Breakin'"

12. "(Wish I Could Fly Like) Superman" by The Kinks
"I need you, but I hate to see you this way/If I were Superman then we'd fly away/I'd really like to change the world/And save it from the mess it's in/I'm too weak, I'm so thin/I'd like to fly but I can't even swim."

Today's play list is inspired by Ash Wednesday, and by the first song on the list, which is, to my mind, hysterical. All the songs contain ash references/imagery.

1. "Mary Catherine's Ash Wednesday Journal Entry" by Christine Kane
"Easter's just around the bend/Once again it is Lent/And my face is smeared with ashes/And either I will run away/Or I'll stay and sit through/Another hundred million masses."

2. "Ashes to Ashes" by David Bowie
"Ashes to ashes, funk to funky/We know Major Tom's a junkie/Strung out in heavens high/Hitting an all-time low."

3. "Ashes by Now" by Leanne Womack
"Baby, I can't go through this again/I don't need to go down more than I've already been/Just like a wildfire, you're runnin' all over town/As much as you've burned me baby, I should be ashes by now."

4. "We'll Sweep Out the Ashes in the Morning" by Gram Parsons
"We know it's wrong to let this fire burn between us/We've got to stop this wild desire in you and in me/So we'll let the flame burn once again until the thrill is gone/Then we'll sweep out the ashes in the morning."

5. "Northern Star" by Hole
"They run to the pines/It's black in here, blot out the sun/And run to the pines/Our misery runs wild and free/And I knew, the fire and the ashes of his grave."

6. "Ashes" by Rufus Wainwright
"But now there's ashes, from exquisite eyelashes/So far away, past the border, past the turnstyle/And even I know, and I do believe, and I do believe that there was a morning/I saw your true love burning next to me."

7. "Smoke and Ashes" by Tracy Chapman
"I've got a red hot heart/And your heart's as blue as the blood in your veins/I say there's fire down below/You say it's only smoke and ashes baby."

8. "All Apologies" by Nirvana
"Find my nest of salt/Everything is my fault/I'll take all the blame/Aqua seafoam shame/Sunburn with freezerburn/Choking on the ashes of her enemy."

9. "Ashes to Ashes" by Steve Earle
"And someday even man's best laid plans/Will lie twisted and covered in rust/When we've done all that we can but it slipped through our hands/And it's ashes to ashes and dust to dust."

10. "Ashes" by KT Tunstall
"Everyday, like a power station/You know it isn't good/I know you're burning too much wood/Oh, and you burn out/The twisted irony is/Your ashes come home to me."

11. "So Tonight That I Might See" by Mazzy Star
"Come up crash with the muses fells dust into ash."

12. "Ballad in Plain D" by Bob Dylan
"All is gone, all is gone, admit it, take flight./I gagged twice, doubled, tears blinding my sight./My mind it was mangled, I ran into the night/Leaving all of love's ashes behind me."

13. "Mexican Wine" by Fountains of Wayne
"He was killed by a cellular phone explosion/They scattered his ashes across the ocean/The water was used to make baby lotion/The wheels of promotion were set into motion."

14. "Self Evident" by Ani DiFranco
"Even as the blue toxic smoke of our lesson in retribution/is still hanging in the air/and there's ash on our shoes/and there's ash in our hair."

What did I miss?

I'm going to have something more serious to say about this later, but in the meantime, here is my response, through music, to the claim that I hate men. Why on Earth wouldn't I?

1. "Letter to a John" by Ani DiFranco
"Women learn to be women/and men learn to be men/and I don't blame it all on you/but I don't want to be your friend."

2. "Goodbye Earl" by The Dixie Chicks
"Well it wasn't two weeks/after she got married that/Wanda started gettin' abused/She put on dark glasses and long sleeved blouses/And make-up to cover a bruise/Well she finally got the nerve to file for divorce/She let the law take it from there/But Earl walked right through that restraining order/And put her in intensive care."

3. "Polly" by Nirvana
"Polly wants a cracker/I think I should get off her first/I think she wants some water/To put out the blow torch."

4. "Ballad of Yvonne Johnson" by Eliza Gilkyson
"I didn’t have a language for the pain I suffered through/escaping into marriage, but your past just catches up with you/until I had three children and a ragged family/a desperate urge to keep them from the wolves that got to me, boys/wolves that got to me."

5. "Cell Block Tango (He Had it Coming)" from Chicago!
"He had it coming/He had it coming/He took a flower/In its prime/And then he used it/And he abused it/It was a murder/But not a crime!"

6. "Fast Car" by Tracy Chapman
"You got a fast car/And I got a job that pays all our bills/You stay out drinking late at the bar
See more of your friends than you do of your kids/I'd always hoped for better/Thought maybe together you and me would find it/I got no plans I ain't going nowhere/So take your fast car and keep on driving."

7. "The Thunder Rolls" by Garth Brooks
"She's waitin' by the window/When he pulls into the drive/She rushes out to hold him/Thankful he's alive/Through all the wind and rain/A strange new perfume blows/And the lightnin' flashes in her eyes/And he knows that she knows/And the thunder rolls."

8. "Janie's Got a Gun" by Aerosmith
"They said when Janie was arrested/they found him underneath a train/But man, he had it comin' Now that Janie's got a gun/she ain't never gonna be the same."

9. "Luka" by Suzanne Vega
"They only hit until you cry/And after that you don't ask why/You just don't argue anymore."

10. "Behind the Wall" by Tracy Chapman
"And when they arrive/They say they can't interfere/With domestic affairs/Between a man and his wife/And as they walk out the door/The tears well up in her eyes."

11. "Caleb Meyer" by Gillian Welsh
"Caleb Meyer, your ghost is gonna/wear them rattlin' chains./but when I go to sleep at night,/Don't you call my name."

12. "Me and a Gun" by Tori Amos
"Me and a gun/and a man/On my back/But I haven't seen Barbados/So I must get out of this."

13. "Only Women Bleed" by Lita Ford (originally Alice Cooper)
"He lies right at you/You know you hate this game/He slaps you once in a while and you live and love in pain."

14. "Ladykillers" by Lush
"So he talks for hours about his sensitive soul/And his favorite subject is sex/I don't think he even wanted it/But, Christ this guy's too much."

15. "I Hate Men" from Kiss Me Kate
"But I hate men./Of all the types I've ever met within our democracy,/I hate most the athlete with his manner bold and brassy/He may have hair upon his chest but, sister, so has Lassie."

In honor of my kittens birthday today, I give you cat songs.

1. "Everybody Wants to be a Cat" from The Aristocats

2. "Cats in the Cradle" by Cat Stevens

3. "What's New Pussycat?" by Tom Jones

4. "Mean-Eyed Cat" by Johnny Cash

5. "Cat Scratch Fever" by Ted Nugent

6. "The Siamese Song" from Lady & the Tramp (as performed by Hilary and Haley Duff)

7. "Stray Cat Strut" by The Stray Cats

8. "Cat in the Window (Bird in the Sky)" by Petula Clark

9. "Leave My Kitten Alone" by The Detroit Cobras

10. "Cool Cat" by Queen

11. "An Cat Dubh" by U2

12. "Cats Without Claws" by Donna Summers

13. "All Cats Are Gray" by The Cure

14. "My Cat's Name is Maceo" by Jane's Addiction

15. "The Love Cats" by Tricky

(This is the final installment in the blog carnival hosted by the OTHER mother.)

C'mon, something blue? Of course I'm going to do a play list. It's just too easy. Especially if you happen to actually LIKE classic country.

1. "Blue" by Leanna Rimes
Remember when this came out? She was like 12 and sounded like Patsy Cline? It was amazing.

2. "Blue Suede Shoes" by Elvis Presley
This one is a gimme.

3. "Looking for Blue Eyes" by Jessi Colter
I love this song. I used to listen to it on the Outlaws album. Heh. I thought Jessi Colter must be SO cool, since she was the only girl in that bunch.

4. "Blue Hotel" by Chris Isaak
Chris Isaak has a lot of "blue" songs. Goes with the depressing wish-I-was-Morrissey persona, I guess.

5. "Pale Blue Eyes" by The Velvet Underground
This song gives me the creeps. The way Lou Reed says "make me mad" chills me.

6. "Blue Bayou" by Roy Orbison
Another gimme. This song always reminds me of the movie "Steel Magnolias," even though it wasn't actually this song in that movie.

7. "Tangled Up in Blue" by The Indigo Girls and Ani DiFranco
This is, of course, a Bob Dylan song, but like Chris Isaak, Bob Dylan has a lot of "blue" songs, so I decided to use a cover of this one. Always best to use a Dylan cover when you can anyway, I think. Plus I LOVE The Indigo Girls on this song. Can't you just see Amy Ray working for a while on a fishing boat just outside of Delacroix?

8. "Blue Eyes Cryin' in the Rain" by Hank Williams, Sr.
Do you like this version better, or Willie Nelson's?

9. "Blue Skies" by Frank Sinatra
Heehee.

10. "Blue Highway" by Billy Idol
Mostly I just like the Frank Sinatra to Billy Idol transition.

11. "Blue Moon of Kentucky" by Patsy Cline
God I love Patsy Cline. This is not her best work, granted, but wow, I forget how amazing she is.

12. "Almost Blue" By Elvis Costello
An awful lot of my play lists seem to include Elvis Costello.

13. "Devil with a Blue Dress On" by Paul Revere and the Raiders
Remind me sometime to tell you about going to see Paul Revere and the Raiders at the county fair when I was a kid. It's actually one of my first really really clear memories.

14. "Famous Blue Raincoat" by Leonard Cohen
Leonard Cohen is another artist for whom I'll usually pick a cover, but I really don't like the available covers of this song.

15. "Don't It Make My Brown Eyes Blue" by Crystal Gayle
Oddly, this is the first song I thought of for this list. Does Crystal Gayle still have super-long hair?

16. "It's All Over Now, Baby Blue" by Bob Dylan
This would be the other Dylan song. Don't love it, frankly.

17. "The Grass Is Blue" by Dolly Parton
If you don't have this album, you should get it. Period.

18. "Bullet the Blue Sky" by U2
Apparently this list just wasn't depressingly pretentious enough.

19. "True Blue" by Madonna
OK, there goes the depressing pretention.

20. "Blue" by Joni Mitchell
Nice to bookend both ends with a song that's just "Blue," don't you think?

Clearly there could be 100 more songs on this list. What would you include?

1. It is raining.
2. I haven't done a list yet today.
3. I haven't done a play list in a bit.

So, of course, a rain songs list. Now, rain is a pretty damn common trope in music (so emo, you know?), so I limited this list to songs about rain I actually like. Hence no Gene Kelly (I'm sure he's very upset). Please note my (judicious?) use of hair bands.

1. "I Remember You" by Skid Row
"Woke up to the sound of pouring rain..."
This was my oh-my-God-very-favorite song for quite some time in my teeny bopper years. Sebastian Bach was just. so hot. in the video! I'm happy, actually, to see that Sebastian Bach is at least kind of still around, and not so skinny anymore. And I still like the song. Sometimes, only a power ballad will do.

2. "It Can't Rain All the Time" by Jane Siberry
"It won't rain all the time/the sky won't fall forever."
From The Crow soundtrack! And at this point, I become a goth. For you kiddies, that's what we used to call emo. ;)

3. "Purple Rain" by Prince & The Revolution
"I only want to see you laughing in the purple rain"
The best line in the song, though, is "I don't want to be your weekend lover." I am not actually old enough to truly appreciate Prince for when he was hot, but I still love him. As a side note, Ani used to cover this song every now and again, which was fantastic.

4. "I Can't Stand the Rain" by Tina Turner
"I can't stand the rain against my window/bringing back sweet memories"
This song rules just for the way Tina sings "rain."

5. "Have You Ever Seen the Rain? by Credence Clearwater Revival
"Someone told me long ago theres a calm before the storm,/I know; its been comin' for some time."
CCR is probably one of those bands that proves my dorkiness. Oh well.

6. "Blue Eyes Cryin' in the Rain" by Hank Williams Sr.
"Love is like a dying ember/Only memories remain/And through the ages I'll remember/Blue eyes cryin' in the rain."
Doesn't get much cooler than Hank Sr. Usually, though, I think of Willie Nelson when I think of this song.

7. "November Rain" by Guns N Roses
"Nothing lasts forever, even cold November rain."
Another one from the power ballad period. I can't help it.

8. "I Wish I Never Saw the Sun" by Beth Orton
"I wish I never saw the sun shine, then maybe I wouldn't mind the rain."
This song makes me bawl. Seriously.

9. "Rush Hour" by Ani DiFranco
"Rush hour/at the day's dawning/the rain came/and pushed me under the awning."
I love the sound of this song, it's intensity. And the very basic guitar line.

10. "Raining in Baltimore" by The Counting Crows
"It's raining in Baltimore, 15 miles east, but everything else is the same."
Another sad one. Surely I've mentioned before how much I LOVE this album?

11. "You Never Even Call Me By My Name" by Merle Haggard (and others)
"I was drunk the day my mom got out of prison/and I went to pick her up in the rain/But before I could get there in my pick-up truck/She got runned over by a damned old train."
This is a favorite of my mom's. She sings it. Often. Not this version, but the live Steve Goodman one. But I couldn't find that one online. And this one is pretty amazing. The perfect country western song.

12. "I Think It's Gonna Rain Today" by Nina Simone
"Human kindness is overflowing/and I think it's gonna rain today."
This song reminds me of Beaches, when Bette Midler sings it. This is Nina Simone's version, though. The whispered "lonely" just kills me.

13. "It's a Hard Rain Gonna Fall" by Bob Dylan
"And it's a hard, and it's a hard, it's a hard, and it's a hard/And it's a hard rain's a-gonna fall."
Another uplifting one. This is Dylan-as-poet though, and it's so lucid and beautiful. ("Saw a room full of men with their hammers bleeding.")

14. "Done Wrong" by Ani DiFranco
"It's a hard rain, it's a cold rain, the kind that you find in songs/Guess that makes me the jerk with the heartache, here to sing for you about how I've been done wrong."
I love the sound of this song, but it's the self-awareness and meta-ness of it that really kills me.

15. "Fire and Rain" by James Taylor
"I've seen fire and I've seen rain/I've seen sunny days I thought would never end/But I always thought that I'd see you again."
This song is cheesy and reminds me of Running on Empty and I love it.

16. "No Rain" by Blind Melon
"All I can say is that my life is pretty plain/I like watching the puddles gather rain."
I know, 16 is a weird number. But there wasn't one I wanted to leave out. So there you go.
Incidentally, I used to have a flannel with "Blind Melon" stitched into the back. Rad.

Same meme as Wednesday, only with song lyrics. These aren't my favorite, though, just the first lyrics from each of the first 10 songs to pop up in my iTunes. Guesses?

1. "I pulled out of Shaky Town, goin' up-country, sinking down."
2. "I walked into a honky tonk, just the other day." "Juke Box Blues" by Reese Witherspoon (originally June Carter Cash) (Delia)
3. "If I have to go, will you remember me?"
4. "Because I love you I get tongue-tied around you." "One Dance" by Dan Bern (Jenny)
5. "Life in the circus ain't easy." "Freakshow" by Ani DiFranco (Chips)
6. "Mamma Svetlana, I know you wanna, shriek at what your daughter done done."
7. "Well my friends are gone and my hair is gray." "Tower of Song" by Leonard Cohen (Chips, Nella)
8. "What is that you're saying, you roulette girl?" "Roulette Girl" by Mary Prankster (Melinda)
9. "Well it's early in the A.M. and I'm feeling kind of blind."
10. "Last night I stood at your doorstep, trying to figure out what went wrong." "Long Walk Home" by Bruce Springsteen (Amanda--close enough!)

I love covers of songs. Love them. Never met one I didn't like. Here are some of my favorites:

1. "Smells Like Teen Spirit" by Tori Amos (originally Nirvana)
I don't like most covers of this song. I like this one.
2. "Tainted Love" by Marilyn Manson (originally Gloria Jones)
3. "Wild Horses" by The Sundays (originally The Rolling Stones)
Gah. The prom scene in Buffy. Always.
4. "Hurt" by Johnny Cash (originally Nine Inch Nails)
Still my pick for best. video. ever.
5. "Mad World" by Gary Jules (originally Tears for Fears)
And I bawl and bawl.
6. "Come On, Eileen" by Save Ferris (originally Dexys Midnight Runners)
This is just silly.
7. "Angel from Montgomery" by Bonnie Raitt (originally John Prine)
This song reminds me of "Into the Wild" now.
8. "(I Can't Get No) Satisfaction" by Cat Power (originally The Rolling Stones)
9. "Hazy Shade of Winter" by The Bangles (originally Simon & Garfunkel)
10. "Helpless" by k.d. lang (originally Neil Young)
I actually like Patti Smith's version of this song as well if not better, but I can't find it online.
11. "It Ain't Me, Babe" by Lucy Kaplansky (originally Bob Dylan)
I like her cover of Lyle Lovett's "God Will" even more, but I can't find it anywhere.
12. "He Was a Friend of Mine" by Cat Power (originally Bob Dylan)
13 "King of the Road" by Rufus Wainwright (originally Roger Miller)
From Brokeback Mountain. All the best covers are from movies or TV, seems like.

There are so, so many more...some of which I have told you about before (Patti's Smith's covers from Twelve, all the great Dylan and Leonard Cohen covers...). What are your favorites?

That last list got me thinking about great songs featured on TV shows I love. Here's a list of a few. Do you know what shows they are/were from? Put guesses in the comments. Shouldn't be too hard to guess--there aren't/haven't been all that many shows I like.

1. "Way Down in the Hole" by Steve Earle (originally Tom Waits) Theme song from The Wire, last season's version (Kelly Cat)
2. "L.A. Song" by Christian Kane
3. "Goodbye to You" by Michelle Branch Buffy the Vampire Slayer, Tabula Rosa episode (Amanda)
4. "Keep Me in Your Heart" by Warron Zevon
5. "Woke Up This Morning" by A3 Theme song from The Sopranos (Melinda)
6. "Out Of This World" by Bush
7. "I Wanna Be Sedated" by The Ramones My So-Called Life (Kasia)
8. "Hallelujah" by Jeff Buckley (originally Leonard Cohen) The West Wing, the episode when Simon dies (Frog)
9. "Teardrop" by Massive Attack Theme song from House, M.D. (Melinda)
10. "Have a Little Faith in Me" by John Haitt

So, hard as it may believe for most of you to believe, there is actually at least one person out there who is interested in my music taste and endless play lists. And I totally love her for it. And I have a new toy now. Something that can show you, in more-or-less real time, what I am listening to. You'll be able to find it on the sidebar anytime you're interested.

In the way of living somewhere where everything comes late, I have been noticing a ton of emo kids in Austin lately. They were around Portland before I was ever out of Reed, but I've only noticed them down here in the last year or so. The ones in Portland are probably on to something else by now.

If you don't know what emo is, you can start here, but basically it's a fashion/lifestyle "subculture" characterized by a certain style of dress and a heavy dose of misery, as well as allegiance to some specific music. Those kids with the tight jeans, stringy black hair in their faces, and constant expression of contemplation constipation? They're emo.

And there is no way for me to properly emphasize how much I hate emo.

Now this is almost inevitably due to my being too old and uncool to properly understand. I get that. But I hate it all the same. It is definitely not that I have a problem with wallowing in your own angst (I mean, c'mon, that's pretty much my favorite past time), or a particular issue with your hair being in your eyes. I'm not even bothered as much as I once was by folks who don't shower often. Emo music is all bad, as far as I can tell, but I've heard worse.

What bothers me is the way emo looks an awful lot like a really, really poor imitation of two subcultures that I do have a bit of experience being in and around: goth and grunge. These kids think they're miserable? I remember when you could be miserable AND sexy.

I was never really goth (though I've made the occasional attempt). I'm a bit young for it. Goth culture came to the U.S. in the late 80s and early 90s (from England and Germany, mostly), when I was still adolescent. However, it was still very much alive and kicking by the time I was in high school and college in the mid-late 90s. One of the annual events at Reed was a "Fetish Ball," where the goth kids got up in their finest leather and lace and did things like bit and flogged one another. I attended. I wonder, now, how much of the sexual subculture that was being celebrated so publicly was really taking place privately, but that wasn't really the point. The point was to celebrate pain, to indulge in thinking it was sexy, and for everybody to look hot. It is undeniably silly now (and was then, too, actually), and there was definitely an aspect of commercialism and commodification to it even then, but there was also something real behind it. For the most part, those indulging were freaks, even within the already freaky Reed social hierarchy. It was a way to embrace being an outcast.

I did grunge a lot better than I did goth. Partially it must have been regional, since I grew up in Oregon in the shadow the of the Seattle scene, and partially it was just better timing, with grunge hitting big right as my early teen hormonal flood kicked in. I don't have a picture to show you, but I wore my jeans-black tee shirt-flannel-Docs combo faithfully, even if my hygiene was always a little bit too good. And it wasn't just about fashion. Wikipedia describes grunge music as being "typically angst-filled, often addressing themes such as social alienation, apathy, confinement, and a desire for freedom." That's pretty much Grace, circa 1992-1997. Grunge was, to those who embraced it in my generation (and the one before mine, really), what punk was in the years before that--a reply to a mean, confusing, alienating world that was both defiant and resigned. And again, it was for outcasts--those who saw what was happening in the society around them and in their own lives and, for whatever reason, couldn't pretend it was going to be OK.

Given that I grew up with and identified with both goth and grunge, two subcultures that were built on angst (remember, I could have been a rave kid instead if I'd wanted to be happy), it seems like I'd be all over emo, right? No. Emo may look something like a goth-grunge slushy, but it strikes me as a very pale imitation of the real things. Unlike goth, there's no sexiness to emo. The emo kids want to cut themselves, but the pleasure-from-the-pain element doesn't seem to come into it. And the emo-ers may not wash, but there's none of the rebellion of grunge, none of the insistence that this outside part doesn't matter anyway.

It is almost inevitable that I am missing some important core element of emo here, just by virtue of being too old and too far outside of it to understand what it means to the people who are inside it. The commodification and fake misery I see when I look at emo kids is probably very similar to what old-school punks say when they looked at grunge kids, and it definitely resembles the Hot Topic-ization of goth. And much as it annoys me, if emo culture is providing to kids now some of what goth and especially grunge culture provided to me as a fucked-up outsider kid, them more power to it. But I still can't help but resent how fake it looks, and how it doesn't seem to recognize its roots, and how we did it better in my day.

This one is too funny not to share. I'll admit it, I love hair metal ballads. Love to sing 'em at the top of my lungs. You should try it. I know you remember the words.

Have you ever thought about what was on the radio the year you were born? I was actually born into kind of an interesting musical moment--disco was still king, but it was failing, there was still a punk undertone, but Sid Vicious died. And some legendary country songs were released, too. It's fascinating. I had no idea, until I started making this list, that 1979 gave birth not only to me, but also to London Calling and The Wall.

What about you? What was playing the year you were born?

Go here and listen.

Indeed.

If A Song Could Be President

If a song could be president
We'd hum on Election Day
The gospel choir would start to sway
And we'd all have a part to play

They would show us where our country went wrong
Strum their guitars on the White House lawn
John Prine would run the FBI
All the criminals would laugh and cry
If a song could be president

I read somewhere today that this baby just turned 18.

Folks, there's no two ways about it: I'm old.

And in honor of all of those bloggers who regularly use Friday to list things they love (and make all of our days brighter), I give you a playlist of songs I unabashedly and completely love. Enjoy.

Do you like Christmas music? What's your favorite carol?

Mine is a bit odd, since I'm not religious, but I just love the song.

Joy to the World

Joy to the world, the Lord is come!
Let earth receive her King;
Let every heart prepare Him room,
And heaven and nature sing,
And heaven and nature sing,
And heaven, and heaven, and nature sing.

He rules the world with truth and grace,
And makes the nations prove
The glories of His righteousness,
And wonders of His love,
And wonders of His love,
And wonders, wonders, of His love.

Favorite version? Lest you think I've totally lost it, how about Bad Religion?

Coming up: a playlist of Christmas music that doesn't suck.

My non-sucky Christmas play list. It is still under construction, but I've been listening to it.

Being, as I tend to be, terminally behind, I missed Genie's 9th Living Out Loud project. I meant to do it, but it was due yesterday and I didn't.

However, it's such a good question, and food for such thought, that I'm gonna blog about it anyway.

Genie asked about theme music. What's your theme music? I've answered this before, at various times and in various ways. Lots of songs about being too far from home, about loneliness and living in your head. Not unexpected, probably, for anybody who knows me or who has read here for very long. When I try to think of one single song, though, to play in the background of my entire life, the one I come up with isn't about either of those things. It's strangely more positive.

Boats to Build
It's time for a change
I'm tired of that same ol' same
The same ol' words the same ol' lines
The same ol' tricks and the same ol' rhymes

Days precious days
Roll in and out like waves
I got boards to bend I got planks to nail
I got charts to make I got seas to sail

I'm gonna build me a boat
With these two hands
It'll be a fair curve
From a noble plan
Let the chips fall where they will
Cause I've got boats to build

Sails are just like wings
The wind can make 'em sing
Songs of life songs of hope
Songs to keep your dreams afloat

I'm gonna build me a boat
With these two hands
It'll be a fair curve
From a noble plan
Let the chips fall where they will
Cause I've got boats to build

Shores distant shores
They're where I'm headed for
Got the stars to guide my way
Sail into the light of day